A new documentary better suited for
television viewing, this is the real "Breakfast Club. Directed by Nanette
Burstein, the film follows a group of High School kids as they complete
their senior year of school in Warsaw, Indiana.
As in "Breakfast Club", we have a jock,
an outcast, a rich spoiled girl, and a misfit but these stereotypes are
real kids with real dreams and real problems. The film works like most
reality TV shows, taking us into their lives as they go about their daily
routines. What is hard to accept is where the reality ends and where the
manipulation begins. Just how much of what we are seeing is unscripted
becomes the question.
While a bit long (2 hours), the film's
subjects win us over as we cheer for them, cry for them and root for our
favorite teen. There are lessons to be learned, love won and lost and
basketball games to win.
I imagine an inner-city version would
give us a different cast of characters but every school contains these
stereotypes. Stay for the credits as each major teen gets their
own epilogue.
Author- 30 second critic, posted 8/30/08
"Appaloosa"
Ed Harris pulls off a trifecta, co-writing,
directing and starring in this old fashioned western, in the tradition
of "Unforgiven". While not as powerful as that classic, "Appaloosa" will
still satisfy lovers of the western genre.
Viggo Mortensen co-stars as Everett
Hitch, Mr. Harris's best friend. The two men make their living as lawmen
for hire. The relationship between these two fine actors is relaxed and
natural, and their characters are men you can believe in. Rene Zellweger
plays the woman who comes between them in the town of Appaloosa. And
rounding out the major players is Jeremy Irons as the villainous, Randall
Bragg.
Much of the screenplay has
been lifted verbatim from the novel by Robert B. Parker and there is some
wonderful dialogue as well as beautiful cinematography by Dean Semler. The
film moves slowly but methodically and is filled with many classic western
themes and clichés. There are moments of suspense and surprise and while
an enjoyable film, it doesn't break any new ground in a familiar genre.
author- 30 second critic, posted 10/26/08
B
"Baby Mama"
Basically a 90 minute Saturday Night
Live skit strung together with pieces of "Baby Boom" and "The Odd
Couple". I was disappointed by the weak script which gave us all the
good parts in the coming attractions. While the film was written by an
ex-Saturday Night Live Scribe, it wasn't Tina Fey and that's pretty
clear throughout the film ( a mushy sentimental ending, oh please).
As if to overcome the script, "Baby
Mama" stuffs itself full of well known co-stars. Steve Martin plays Ms.
Fey's new age boss. Sigourney Weaver is the owner of the Surrogate
Service that tries to help Ms. Fey and Greg Kinnear plays her love
interest. Mr. Martin is amusing, Ms. Weaver is over the top and Mr.
Kinnear sleepwalks through the film. And of course, anything with Tina
Fey has to have cameos by some of her SNL buddies, which is distracting
and makes it feel even more like a TV skit.
Amy Poehler is probably the funniest
woman on the planet right now and she does her best with the flimsy
material. Tina Fey plays smart funny and the two women make for a great
comic duo. One day they will make a truly funny buddy movie (if Tina Fey
writes it). "Baby Mama" isn't it.
Author- 30 second critic, posted 4/2
"The Bank Job"
Sorry for the lag time between
reviews, dear readers, but there just isn't a lot of quality out there
right now worth my time or money (or yours for that matter). However,
"The Bank Job" is definitely worth a look.
Based on a true story about a very
infamous British crime, the film stars Jason Statham and Saffron
Burrows. The rest of the cast is made up of British acting regulars
mostly unknown in the US. Fans of Mr. Statham's action films may be a
bit disappointed by the lack of the car chases and fights he is known
for but he still has a great screen presence and carries the weight of
the film solidly on his back.
There is a good bit of humor
sprinkled throughout and lots of suspense as things get even more
complicated after the robbery. Director Roger Donaldson does such of
great job of creating a 70's retro feel, you'd think the film was
actually made in 1971. The acting and script are solid although the
dialog is very distinctively British.
If you miss it in the theaters,
definitely rent it on DVD. You won't feel robbed.
Author- 30 second critic, posted 3/8/08
"Before The Devil Knows You're Dead"
At 83 Sidney Lumet proves
he's still got his directing chops. This is a taut little crime drama
that puts ordinary people into extraordinary situations when a simple
robbery goes very wrong. Philip Seymour Hoffman and Ethan Hawke play
brothers, Andy and Hank, who for different reasons both are mired in
money problems. Andy hatches a plan to rob their parents jewelry store
and everything spirals out of control from that point on.
The film is shot in and out of sequence with a time line at the bottom
of the screen keeping things in proper perspective. This allows us, via
different camera angles, to view the same events from different points
of view. Hoffman and Hawke are very good in their roles but not very
convincing as brothers. The film co-stars Albert Finney as their father
and Marisa Tomei as Hoffman's wife. Finney, in particular, is excellent.
The film is reminiscent of an earlier film (from a terrific book), "A
Simple Plan", which has a similar storyline and theme. It's a stronger
story of ordinary brothers who's lives unravel when a simple plan goes
bad. The saving grace of this film is Finney (so strong in his quiet
devastation), Hoffman (oozing desperation) and Lumet's tight direction.
Author- 30 second critic, posted 11/17/07
"Beowulf"
Using a technique he debuted with "The Polar
Express", director Robert Zemeckis takes it to another level with
"Beowulf". The film is a combination of live action with animation
layered over it. The resulting image looks like a very realistic video
game. The best way to view this film is in IMAX 3-D. The images are
stunning. The audio and video are a feast for the senses.
The cast is pedigree. Ray
Winstone, Anthony Hopkins, Angelina Jolie, Brendan Gleeson, Crispin
Glover, John Malkovich, and Robin Wright Penn all add their vocal talent
as well as their animated images to the story. "Beowulf is an ancient
tale told many times through the ages but with a script by Neil Gaiman
and Roger Avery, it becomes a modern day sword and sorcery tale with
liberal amounts of violence.
While visually amazing, "Beowulf" opened
at #1 but overall has limited appeal. Fans of Norse mythology or the
film, "300" will find much to appreciate here. Beyond that is hard to
say.
Author- 30 second critic, posted 11/24
"Black Book"
A great return
to form for director Paul Verhoeven. Going back to his Dutch roots,
Verhoeven co-writes and directs this WWII story inspired by real events.
The story centers on a Jewish woman hiding from the Nazi's in 1944
German occupied Holland.
After a series of horrific circumstances
force Rachel Stein to join the Dutch resistance, she dyes her hair
blonde and changes her name to Ellis de Vries. When she meets a high
ranking Nazi officer, Ubercaptain Muentze, on a train, Ellis goes
undercover as his clerk and lover. An unlikely romance begins between
them and their situation become more complicated and dangerous as the
film goes on.
At a very
quick paced 2 & 1/2 hours, this film has it all. Romance, sex, intrigue,
action, last second escapes, double and triple crosses, and terrific
acting from the principle cast. Carice van Houten is wonderful as
Rachel/Ellis and Sebastian Koch, so good in "The Lives of Others", stays
true to form as her sympathetic Nazi lover, Muentze.
For the most part Verhoeven drives the
story with some restraint towards bad taste however, be warned, there a
few few scenes that push the envelope. After all, this is the same man
who brought us "Basic Instinct" and "Showgirls". But don't let that
stop you from a exciting and satisfying movie experience. "Black Book"
is in English, German and Dutch.
Author- 30 second critic, posted 4/20/07
"Bee Movie"
Animated Seinfeld is better than no
Seinfeld at all in this slightly bizarre new film. It's one thing to
have cute animated bees talking and acting like humans but to create an
interspecies love story (even if it is chaste) takes it to another
level.
The plot was reminiscent of "Antz" starring Woody Allen. A young bee
isn't satisfied with life in the hive and longs for something different.
This takes him out of his own environment into a new world of
adventures. This is where the story takes a very strange turn. Unlike
"Antz", which stayed in the insect world, "Bee Movie" takes young Barry
Beeson into the human world where he is easily accepted as a "talking"
bee and spends time as a lawyer and airline plot among other things.
Rene Zellweger is the voice of his human love interest, a florist named
Vanessa. Also along for the ride (literally) is Chris Rock as a cocky
mosquito and Matthew Broderick, as his best bee friend. There are visual
cameos from Larry King, Sting and oddly enough, Ray Liotta. Oprah
Winfrey also lends her voice to the part of a judge.
Kids will like the animation and the slapstick. Adults will enjoy the
Seinfeld humor but find themselves distracted by the cross-species
sub-plots.
Sorry but I can't resist....I give it a B.
Author- 30 second critic, posted 11/10/07
"Bobby"
The title will mislead you
into thinking this is a film about Bobby Kennedy. The film is actually
about Kennedy's impact on an assortment of real and fictitious
characters at the Ambassador Hotel on the day he is shot. An all star
cast including Sharon Stone, Demi Moore, William H. Macy, Christian
Slater, and Anthony Hopkins just to name a few, play the various
characters working or staying at the hotel on that historical day. In
total, 22 recognizable actors worked for scale in this labor of love by
writer/director, Emilio Estevez.
Estevez does a decent
job blending fact and fiction, inserting many news clips of Kennedy into
the story, rather than recreating the man himself (with the exception of
a few back shots). The storytelling is ambitious with so many characters
(including Estevez himself as Moore's husband and manager) but Estevez
fails to develop some of them along the way. His overall effort though
succeeds in entertaining and enlightening us as well.
Watching the
film brings to mind, old disaster movies like "Airport" and "The
Towering Inferno". Star studded affairs linked by a central theme. You
care for some characters more than others and in this case, you know
going in, who is sure to be killed. Kennedy's impact on this particular
generation and the hope he represented reverberates throughout the film
and when he is shot, you instantly feel that shattered moment. That
hope, like that of Martin Luther King and JFK before him, lives on, to
one day come to fruition.
Author- 30 Second Critic, posted 12/3/06
"Borat"
Based on Sacha Baron Cohen's fictional
character, Borat makes the successful jump from a TV sketch to the big
screen. This formula has a shaky past and most of the time doesn't work.
Fortunately for us, Borat lends itself perfectly to a full length film
and is unlike anything you've ever seen.
The film is
outrageous, offensive, and hysterically funny. It is "Blazing Saddles"
for a new generation. When that film opened in the 70's audiences could
not believe what they were hearing and seeing but it left them weak from
laughter while breaking taboos at the same time. Borat is a TV
personality from Kazakhstan who journeys to America to learn of our
culture. Much like "Saddles", the film sets up outrageous situations in
familiar settings but the big difference is most of the people Borat
encounters are real and not in on the joke.
This sets
up biting social, political, and sexual commentary. Many of the
reactions to Borat's behavior are extremely funny but it's also scary to
think some people in this country still have the opinions revealed in
the film.
Just as the story begins to wear thin, a new encounter or situation will
have you laughing out loud. This is not a film for everyone as many will
NOT get the joke but if you go with an open mind and realize this is
satire, you may find yourself weak from laughter.
Be warned, there is plenty of gross comedy and
bad behavior but underneath there is method to the madness and it's name
is Borat.
Author- 30 Second critic, posted 11/03/06
"The Bourne Ultimatum"
Picking up where the last film ended, Matt Damon is still on the run
trying to figure out how it all started. Director Paul Greengrass does
an excellent job of putting the viewer right into the action and
maintains a solid pace throughout.
From the intense camera angles to the
live action stuntwork, the film pulls you in and never lets go. The
character of Jason Bourne is the ultimate escape artist as he
continually finds clever ways to elude the CIA. The film tries hard to
bring you up to speed if you haven't seen the first two Bourne
adventures but the new film makes more sense taken in context of the
full Bourne saga.
Joan Allen and Julia Stiles are
back reprising their earlier roles and playing the CIA chief, with nasty
secrets to protect, is the always excellent, David Strathairn. As for
the role of Jason Bourne, Matt Damon has found a defining character.
Given little dialog, Bourne is a man of action and Damon slips back into
the character with ease and maturity.
The film travels the globe with
fantastic action sequences at every turn. If you're a fan of the series,
this is a threequel that delivers the goods.
Author- 30 Second Critic, posted 8/10/07
"Breach"
Six years almost to the day
of the actual events, "Breach" tells the story of the most infamous spy
in American History and how he was eventually exposed and arrested.
Robert Hanssen, an FBI agent of the highest
order was eventually tried and convicted to a life sentence for selling
secrets worth billions (not to mention a few lives lost as well) to the
Russians. The film opens with footage of Robert Ashcroft's press
conference about Hanssen's capture and then moves back in time to reveal
how he was brought down.
Chris Cooper plays
Robert Hanssen without a false note. Mr. Cooper is one of our finest
character actors working today and "Breach" is one of his best
performances. Playing the FBI "agent" that wins his trust but ultimately
gets him caught is Ryan Phillippe, who continues to grow as an actor.
His work in "Flags of Our Fathers" and now "Breach" show a new level of
maturity on his part. Together they make "Breach" a great game of cat
and mouse (even though you already know the outcome). Co-starring in
this cerebral thriller is Laura Linney and Dennis Haysbert as the FBI
agents building the case.
The film moves
at a leisurely pace and is devoid of the usual spy movie "car chase"
moments but there are still plenty of tense scenes. A taut script and
solid acting makes "Breach" an exception to the usual Hollywood
leftovers released this time of year.
Author- 30 Second Critic, posted 2/24/07
"Brothers of The Head"
And now for something completely different...
this is a fictitious documentary recounting the rise and fall of "Bang
Bang", a British rock band from the mid 70's. What sets this apart is the
totally original concept of Siamese conjoined twins as the lead guitarist
and lead singer. The movie, while mockumentary is not played for laughs
but takes itself very seriously. The brothers (joined as the midsection)
are "sold" by their father to an entertainment mogul who hires people to
groom them to be rock stars. We follow their story through guitar and
singing lessons, rehearsals, and lots of live shows before they eventually
record their debut album. We also get parts of their back story,
and pieces of a very funny "film" by Ken Russell about their life
together. The movie features many British cameos, including director Ken
Russell and Jonathan Pryce. It is a wild, musical ride through a dark and
sometimes very twisted world.
author - 30 Second Critic, posted 6/20/06
"Burn After Reading"
Following the dramatic masterpiece, "No
Country For Old Men", the Coen Brothers return to familiar waters in
this silly, yet violent, comedy. The film plays like a cross between
"Blood Simple" and Intolerable Cruelty".
Featuring an all-star cast, many of
whom are Coen Brother regulars, the film is a twisted tale of cheating
spouses, unlikely blackmailers, and inept CIA agents. Frances McDormand,
George Clooney, Brad Pitt, Tilda Swinton, J.K. Simmons, Richard Jenkins
and John Malkovich all seem to be really enjoying themselves as they
lie, steal, cheat, and sometimes kill with reckless abandon.
There is no depth to the
screenplay. The story is set in motion when a former CIA agent, played
by Mr. Malkovich decides to write his memoirs and they end up in the
wrong hands. It's all superficial fun (except when 2 major characters
are killed) and doesn't ask much of it's audience except to sit back and
enjoy the shenanigans. It's fun to watch but 90 minutes later, you'll
probably "forget after viewing".
Author- 30 Second critic, posted 9/20/08
C
"Cassandra's Dream"
Shooting "Matchpoint" in England revitalized Woody Allen. It didn't
last long however, as "Snoop" was a disappointment and now comes
"Cassandra's Dream" another rehash on the consequences of murder.
While we've seen the story before from Woody, he does manage to
capture terrific performances by Collin Farrell and Ewan McGregor as
brothers Terry and Ian. The brothers find themselves in dire straights and
turn to their rich Uncle Howard (always good Tom Wilkinson) for help. The
drama turns on his proposal.
Mr. Farrell plays against type as the meeker of the two brothers
and it's refreshing to see him in a role like this. His chemistry with Mr.
McGregor is excellent and you can easily believe they are brothers caught
in tangled web of their own making.
Mr. Allen remains an excellent writer and director. Refreshed by
England's change of scenery, he must now turn to a new muse for
script inspiration and give us something original.
Author- 30 Second Critic, posted 1/26/08
"Casino Royale"
And on the 007th day God
created the REAL James Bond...Sean Connery can finally stop
looking over his shoulder, cause Daniel Craig has captured
the essence of what was in Ian Fleming's mind when writing
the Bond novels...Not since Connery hung up his license to
thrill, has the world been a safer place...It is as if
someone finally decided to ACTUALLY READ one of Fleming's
novels & capture their essence..albeit, updated some 50
years...With stunts that were amazing, exotic locales,
the perfunctory evil doer & gorgeous women....the franchise
that is Bond has finally moved forward, by starting with
Bond's beginning....See boys & girls, James Bond
once didn't have a license to kill, managed without amazing
gadgets (Q was nowhere to be found in this film) & actually
fell in love. We see his transition & watch him grow
over the course of 2.5 hours of a flick that seems the
producers and directors didn't want to end...Gone (at least
in Royale) are the larger than life megalomaniacs looking to
either blow up, dominate or otherwise destroy the
planet...We have upscaled Bond, by downsizing the
adventures...Not to say the action & sheer brutality doesn't
exist in grand style...but money seems to be the greatest
evil here...Judy Dench as M does her usually fabulous work
and we again get introduced to the CIA's Felix Leiter who
apparently doesn't watch the World Series of Poker on
ESPN....
If you are fan of Bond and
actually read the some of the books, you will be thrilled
with Casino Royale...If reading isn't your forte, you will
still love this depiction of a larger than life character
brought back down to earth for the first time in 40
years...And if you used to be a card carrying member of the
James Bond fan club as a child, are contemplating an 007
tattoo where only Bond girls can see it, own 2 Bond
encyclopedias and a souvenir gun with 007 on it (geez, noone
I know!!!)...you will revel in the notion that Bond is back
and is better than ever....
Author-Alan, posted 12/2/06
"Casino Royale"
I am very happy to report that James
Bond is back... shaken, not stirred. Much has been written since the
announcement of Daniel Craig taking over the franchise, and most of it
very critical. Mr. Craig has taken the iconic role and completely made it
his own. While I'm sure this will be debated by die-hard fans everywhere,
he is the best Bond since Sean Connery.
This film revitalizes the
franchise by literally taking it back to it's roots. Staying pretty
faithful to the Ian Fleming novel, "Casino Royale" introduces Bond to his
first 00 mission. The film is full of the action we expect from a Bond
film but this action is grounded (for the most part) in reality. The stunt
work is terrific. The CGI, from what I can tell, is kept to a
minimum. There is a plot that makes sense, real dramatic moments and a
very human James Bond. Mr. Craig plays him as a diamond in the rough. This
Bond is serious, intense, and flawed. This Bond bleeds... repeatedly. He
is beaten, shot with a nail gun, poisoned, tortured, nearly
drowned, and beaten some more. I could criticize his incredible healing
ability but why bother, it's James Bond.
The screenwriters (including
Paul Haggis. What doesn't he write these days?) have done a great job
infusing the Bond elements we all love (Judy Dench as M, the exotic
locations, the women, a creepy villain) into a story that, while bloated,
never goes as over the top as we've seen in the recent past. The film runs
two and a half hours and could have easily been cut by 20 minutes or so.
There is a point when you think it may never end but end it does and it
will leave you with anticipation for Mr. Craig's next turn in the tuxedo
Author-30 second critic, posted 11/15/06
"Changeling"
This one will be hard to find as it's
been shoved aside for newer holiday films. I still wanted to see it before
Award season and I'm glad I did.
Directed by Clint Eastwood, with his
usual attention to detail. "Changeling" tells the true story of a missing
child in 1928 Los Angeles. Angelina Joie stars as Christine Collins, a
single mother who comes home from work to find her 9 year old son, Walter
missing. What follows is an absorbing but tragic story that goes deeper
than just an abduction. Christine's treatment by the Los Angeles Police
department is a horrendous crime by itself.
Showing great range, Ms. Joie is
excellent as Christine. It's amazing that this is the same actress who was
so tough and strong in "Wanted". Her frailty here masks an inner strength
that rises to the surface over the course of her ordeal. Ms. Jolie does a
great job losing herself in the character and keeping the audience
involved in her plight.
The film co-stars John Malkovich, Amy
Ryan ( who steals her few short scenes), and Jeffrey Donovan. Credit Mr.
Eastwood for employing many other actors who are just right for their
parts and not stuffed into the film for name recognition. Colm Feore,
Michael Kelly, Peter Gerety, and the rest of the cast are all terrific.
One could argue that the film runs
too long but that is typical of Mr. Eastwood. He doesn't make short
movies. He takes his time to involve his audience and give you a full,
rich movie experience.
author- 30 second critic, posted 12/22/08
"Charlie Wilson's War"
This film is a strange mix of serious
politics and light comedy. Written by Aaron Sorkin and directed by Mike
Nichols, "Charlie Wilson" plays like an episode of "The West Wing". The
dialog is fast and furious. Much of the political nature of the film may
go over the head of the casual viewer. The story, however, is an amazing
one especially when you consider it's based in truth.
Those expecting a light hearted romp
with Tom Hanks and Julia Roberts will be surprised by the turn of events
when Congressman Wilson visits an Afghanistan refugee camp. The sights and
sounds will shock the audience just as they do Charlie. It's that turn of
events, spurred on by a wealthy Texas socialite (played by Ms.
Roberts) that moves Wilson to begin a covert war aiding the Afghan people
against the Russians. He is aided in his mission by a unorthodox CIA agent
played by Philip Seymour Hoffman, who steals every scene. Mr. Hanks
exhibits both charm and gravity as Charlie Wilson. He's a terrific actor
and both he and Mr. Hoffman are adept at inhabiting their roles.
The story is remarkable and will certainly hold your attention. The ending
should anger you, especially if you stop and consider what has happened in
Afghanistan since it's liberation from the Russians. The quote that closes
the film could not be more haunting.
author- 30 second critic, posted 12/26/07
"Children of Men"
This
is an intelligent but bleak vision of the future. Women are infertile and
the human race faces extinction in a matter of years. The story takes
place in and around London and the country is in chaos. All immigrants
have been labeled illegal and are rounded up and placed in refugee camps.
A rebel group, calling itself "The Fishes" is fighting back against the
government and there are frequent bombings and firefights. The city is in
ruins. Julianne Moore is one of the rebel leaders who recruits star Clive
Owen to help with what might just be the future of mankind. Michael Caine
co-stars as Owen's friend, an aging hippie, who provides help and shelter
as the story progresses.
Filmed through a cold blue/gray lens, the story grows bleaker by the
minute but it is Mr. Owen's new found hope for the future that drives him
forward. His resolve becomes the audience's strength and we rally around
him as he strives to complete his mission.
This was a risky film to release at the
holidays as it certainly is far from cheery but along with solid
acting and a smart script, it's ultimate message of hope for the
future makes it worthy viewing.
Author- 30 second critic, posted 12/28/06
"Cloverfield"
"Cloverfield" allows us to relive 9/11 in the safety of a movie
theater using a never explained Godzilla-like monster to represent
terrorism. Real subtle.
This 75 minute exercise in "Blair Witch" camera theatrics uses
the shaky video camera POV to make us physically and emotional queasy as
we watch downtown New York, once again, reduced to rubble.
The camera follows a small group of friends who are one minute
are enjoying themselves at a farewell party, only to be thrust into the
carnage as the ridiculous "monster" attacks for no reason.
There is nothing redeemable in this mess except for terrific
special effects destroying Manhattan block by block. As good as the
effects are, it's hard to admire them as their result is unnerving and
disturbing.
There are many famous monster movies prior to 2001 featuring
the destruction of New York and they're always fun to watch because you
thought nothing like that would really happen. In a post 9/11 world, it's
just not fun anymore.
Author-30 second critic, posted 1/26/08
"Coraline"
Brilliant stop motion animation brings
Neil Gailman's book to the screen. The film is being shown in 3D at most
theaters and it is a visual treat.
The
story starts out fairly normal but once Coraline Jones discovers an
alternate world hidden behind a wall panel in her new house, things begin
to get very weird. It's a cautionary tale of "be careful of what you wish
for" and it's beautifully crafted.Dakota Fanning does the voice work for
Coraline and Teri Hatcher provides the voice of her mother. Also lending
their vocal talents are Jennifer Saunders, Dawn French, and Ian McShane.
The film doesn't stoop to 3D tricks just for the
effect. It does use the technique to add more depth to the animation and
is only really playfully used during the end credits.
The film may not be suitable for small children
as the story gets progressively weirder and creepier as it goes on. It is
a great companion piece for "Nightmare Before Christmas" and "Corpse
Bride".
Author- 30 Second critic, posted 02/15/09
"The Counterfeiters"
Winner of the Academy Award for
best foreign film, "The Counterfeiters" tells the little known true story
of Jewish prisoners forced to counterfeit money for the Nazi's.
The film is seen through the
eyes of Salomon "Sally" Sorowitsch, the "King of the Counterfeiters".
Sally is living the good life in Berlin until he is arrested and sent to a
concentration camp. When the Nazis learn of his skill, he is transferred
to Sachsenhausen where along with other prisoners of similar skills, he is
put to work forging English pounds and American dollars in order to weaken
the allied economy.
The film is grim and utterly
realistic. It recreates a horrible period when people would do anything to
survive. The acting is amazing, especially Karl Markovics, who plays
"Sally". His gaunt frame and dark demeanor suit the character perfectly.
Mr. Markovics is so convincing in the role, you'll think you're watching
an actual documentary, rather than a scripted story.
This is a remarkable story of
survival that should not be missed.
Author- 30 Second Critic, posted 3/9/08
"The Curious Case of Benjamin Button"
David Fincher has always been a visionary
director. He's made some remarkable films over the years and "Benjamin
Button" is no exception. Everything about the production is first rate.
There's just one thing nagging you as you sit in the dark enjoying the
film, "where have I seen this before?", you're thinking to yourself...
"Benjamin Button" is "Forest Gump"
revisited. Don't get me wrong. I thought Brad Pitt and Cate Blanchett were
excellent, especially Ms. Blanchett. I thought the special effects of Mr.
Pitt's aging were amazing but the story was "Forest Gump" with a different
plot device and it just bothered me throughout the film.
The concept of reverse aging was
original and the love story, classic with a twist. If you haven't seen,
"Gump", you will have a wonderful film experience seeing "Benjamin
Button". But even if you have seen the earlier film, "Button" is still
very enjoyable, just not original.
Run Benjamin, run....
Author- 30 second critic, posted 12/20/08
"Curse of The Golden Flower"
If you enjoyed "Crouching Tiger, Hidden
Dragon", "House of Flying Daggers", or "Hero", you will certainly be
looking forward to this latest period piece out of China. I know I was.
Starring Chow Yun-Fat and Gong Li and directed by Yimou Zhang, "Gold
Flower" had all the ingredients for a smash hit. Unfortunately, the film
does not perform up to the standards of the previously mentioned films.
The story is full of family secrets, double
crosses, incest, and betrayals but bogs down terribly in the first half.
The setup for all this intrigue is very slow and not much actually
happens but Zhang redeems himself in the second half of the film
when secrets are revealed and betrayals are set in motion. The good news
is the film is beautiful to watch. The color, sets, and pageantry are
outstanding. The CGI work in the climatic battles scenes could have been
better. Much of the fighting resembles a videogame but the close-up
martial arts work is terrific.
Yun-Fat, playing the
Emperor, (aside from a quick sword fight he performs sitting down)
doesn't have much to do except brood and Gong Li, beautiful as always,
plays her part as the Empress pretty much the same way with much biting
of the lip. The story is Shakespearean in scope (although it actually
predates Shakespeare) and for fans of this genre, it satisfies by the
end.
Author-30 Second Critic, posted 12/21/06
D
"The Dark Knight"
Well, having just come back
from the latest Batman flick, The Dark Knight, may I say…Iron Man
rules!!!! There’s a movie with wit, charm, and intelligence. The Dark
Knight is just…dark.
Granted, Heath Ledger is
EVERYTHING all the critics are saying…brilliant, sadistic, amazing,
brutal, incredible, evil, sinister, the next Hannibal Lecter, etc…His
Joker is the movie…unfortunately its wrapped around by a confusing plot
filled with chaotic twists and false endings. Aaron Eckhart does a great
turn as Harvey Dent. The rest of the cast is fair, all being diminished
by Ledger’s performance, especially Christian Bale.
The worst part of this
movie is its PG-13 rating. I don’t know WHAT the ratings board needs to
rate a movie R, but this movie had it all…I was appalled by some of the
scenes of violence and then looking down in the next row and seeing a 6
year old girl and a 7 year old boy cowering against their mother. At the
end of this movie is a scene that no child should see…it completely ruined
the movie for me. All I could think about is the number of toys, happy
meals, cereal boxes aiming for the under 10 crowd and the stupid parents
that will take these hapless kids into seeing this cruelly warped movie.
I know, I know, parents should know better. But so should the marketing
team at Warner Bros. Unfortunately, they’ve lowered the bar and the next
blockbuster will be even more violent with a PG-13 rating.
Author- Irma, posted 7/19/07
"The Dark Knight"
Dark is not the word. Black would be
more like it. While entertaining, this film is very, very, grim. Heath
Ledger is brilliant and carries the film, but his untimely death adds an
aura of additional darkness to an already bleak tale.
As Batman, Christian Bale continues to
prove he's the best choice for the role. He does a terrific job as the
tortured cape crusader but is overshadowed by Mr. Ledger. Most of the
supporting cast from "Batman Returns" are also back although Maggie
Gyllenhaal has replaced Katie Holmes as Rachel Dawes and Aaron Eckhart is
introduced as DA Harvey Dent. Both welcome additions to the film.
The action sequences are very exciting
and well staged. The plot tends to get very thick though and is a bit
confusing at times. Was a sequence in Hong Kong really necessary? The
themes of the film are very adult and the visuals can be scary for
children, especially in a scene where a child is directly in harms way(
but makes an amazing recovery in the next scene).
For my money, the top superhero of
the summer remains Iron Man.
Author- 30 Second , posted 7/23/08
"The Day The Earth Stood Still"
Not even the grandeur of IMAX can save this
stinker. Keanu Reeves is perfectly cast as an emotionless alien who
drops into Central Park (in a swirling globe of bad CGI) to warn
earthlings that the grand intelligence of the cosmos has decided to wipe
us out as a species because we're screwing up the planet.
We then spend almost two hours watching a
ridiculous Katy Bates as the Secretary of Defense, Jennifer Connelly as an
Astro-biologist going all weepy over her step son, and Jaden Smith as the
annoying step son, all debating over to kill or listen to Mr. Reeves.
As a New York Jet fan, my only
satisfaction was watching Giant Stadium get destroyed by the aliens
although I think I have a better model in a snow globe at home.
This film is boring, badly acted and a
complete waste of time. Rent "Independence Day" ironically starring Jaden
Smith's father, if you want to see landmarks being destroyed. And if you
really want quality Sci-fi, rent the original "Day The Earth Stood Still"
(cheesy effects by today's standard, but still the superior film).
And note to John Hamm- stick to "Mad
Men"
author- 30 second critic, posted
12/19/08
"Deja Vu"
An interesting action/thriller that, if you buy into its premise, will keep
you entertained. Denzel Washington plays an agent for the ATF (Alcohol,
Tobacco, and Firearms) who is investigating the bombing of a New Orleans
ferry loaded with U.S. servicemen and their families. The film starts out as
your typical “find the killer” story but takes a huge detour into science
fiction when the plot hinges on time travel.
Val Kilmer and Adam Goldberg play FBI agents working on a “top secret
government project” who bring in Mr. Washington as their investigative
expert. When he realizes their project can send actually send things into
the past, Mr. Washington uses it to prevent the tragedy from happening in
the first place. Why the FBI needs an ATF agent, as their “investigative
expert” is our first leap of faith. Paula Patton plays the woman who is the
key to finding the killer and of course, ends up Mr. Washington’s love
interest. Another leap of faith.
You sense you seen these plot elements before…Hmmm, Déjà vu? What keeps the
story grounded is the serious and committed acting of Denzel Washington. He
believes it so we believe it too. Time travel plots are very tricky. If you
change the past, then there’s no longer a need to go into the past but if
you don’t go, you don’t change it…very complicated stuff, which raises all
kinds of questions at the end of the film. Don’t try to figure it all out.
Movies like this are all about the ride and Director Tony Scott along with
Producer Jerry Bruckheimer is very adept at giving you a fun ride. I have a
strange sense they’ve done it before…
Author- Irma, posted 10/11/06
"Defiance"
From writer/director Edward Zwick, comes
this harrowing true story of a group of Jews that hid in the forests of
Poland during WWII. Led by the three Bielski brothers, their numbers
swelled to 1200 surviving four years hiding and fighting back again the
German army.
The three brothers are played
respectively by Daniel Craig, Liv Schreiber, and Jamie Bell. All three are
excellent and the story is really remarkable. The film can be difficult to
watch as you experience how these people survived but ultimately, it is an
uplifting story and a very different kind of portrayal of Jews in a war
movie. Rather than play the victims, these people band together for
survival and to fight back against their oppressors.
As with most Zwick films, there are
overly melodramatic moments and dialogue but overall, "Defiance" is a
strong story, well told.
Author-30 second critic, posted 02/22/09
"The Diving Bell And The Butterfly"
Directed by Julian Schnabel, the
film is based on the true story of Elle Magazine editor, Jean-Dominique
Bauby, who was paralyzed by a stroke at age 43. Unable to move any part of
his body except for his left eye, Bauby learns to communicate through a
series of blinking the alphabet. And in doing so, "writes" the book that
becomes "The Diving Bell And The Butterfly.
With the help of a translator,
Henriette Roi, Bauby manages to communicate his thoughts through a very
repetitive process that, while a triumph for him, begins to grate on the
viewer. What saves the film, is the imaginative way Mr. Schnabel shows us
what is going on in Mr. Bauby's mind. His imagination and memory are the
only things that sustain him. The artistic flashbacks and dream sequences
that connect all the elements of the film are very well done.
Mathieu Amalric gives an
outstanding performance as Bauby. To express oneself though only one eye
is remarkable. It's also his witty and emotional voiceover that guides us
and allows us an intimate link to the character.
The film is in French with
English subtitles.
Author- 30 Second
critic, posted 12/30/07
"Doubt"
A master class in acting. Meryl Streep,
Philip Seymour Hoffman, Amy Adams, and Viola
Davis are all superb in the film adaption of
the John Patrick Shanley play, "Doubt".
Mr. Shanley wrote the screenplay and
directed the film himself. Unlike "Frost/Nixon", which opened the stage
play up quite a bit while still maintaining the intimacy of the
conversations, Shanley opts to keep the action pretty much confined to
the church and it's adjoining school. The film is powerful but is
viewed like a filmed play. We only get a few glimpse's of life beyond
the church and school grounds.
The scenes between the principle actors
are all volatile and riveting. Ms. Streep is just a wonder taking on the
persona of Sister Aloysius, the school principal who accuses Father
Flynn of a very inappropriate act with one of the male students. Viola
Davis has but one major scene but she too is excellent as the boy's
mother in a confrontation with the Sister.
Regardless of your religious
background, "Doubt" is a universal story about the ramifications of
accusation and the aftermath of all involved.
Author- 30 second critic, posted 01/02/09
"Dreamgirls"
Dreamgirls, a huge Broadway musical success,
tells a story about a girl group in the 60's (think Supremes) that gets
picked by an R&B impressario (think Berry Gordy/Motown) to make it big
only to have the lead singer be dumped for a more svelte, "whiter"
sounding singer (think Diana Ross). This is directed by Bill Condon,
the director of Gods & Monsters and Kinsey and also the screenwriter for
Chicago, another musical turned film. Chicago was the right way to
make that transition, Dreamgirls is the wrong way.
This is one of those musicals where instead of
dialogue, suddenly the characters start singing to each other. That
works on stage but not on film, especially this one that includes too many
different settings and superfluous background montages. The segues
from scene to scene are harsh and disjointed. The costuming
was really disappointing, making even Beyonce look ugly and especially
unflattering to Jennifer Hudson. There were camera shots that should
have been left on the editing room floor and frankly, I was bored by this
movie. I kept thinking of better films, like What's Love Got To Do
With It or Chicago or even Mahogany.
The acting/singing on the other hand was a treat
by half the performers. I was BLOWN away by Jennifer Hudson playing
the part Effie, made famous by Jennifer Holiday. She can sing and she
can act. She has several numbers but the best by far is And I'm Telling
You I'm Not Going that at the end had many people clapping and me with
goosebumps. Eddie Murphy gives his career defining performance as
James Early, a James Brown like singer. Who knew he could really
act? Although Murphy used to do James Brown on SNL, this performance
is dead on with heart and depth.
But then there's Beyonce and Jamie Foxx.
Beyonce is beautiful and by the end of the film when her character really
has to deliver the singing, she does, but for most of the film, she's
stiff and cardboard. But that doesn't even begin to describe how bad
Jamie Foxx is. He's got one expression on his face the whole time
making me convinced that Oscar for Ray was a fluke.
All in all not enough to recommend this poorly
directed mess, except to say when it does come on DVD, rent it for
Jennifer Hudson and Eddie Murphy, two sure thing Oscar nominees for
Supporting Actress/Actor.
Author- Irma, posted 1/1/06
"Dreamgirls"
What seemed
like a dream project on paper doesn't quite turn out that way on screen.
Don't get me wrong, "Dreamgirls" is very entertaining but it fails to
raise the bar for movie musicals the way "Chicago" did a few years ago.
The screenplay and direction by Bill Condon basically portrays the
Broadway show on film. Having an opportunity to use the medium to enhance
the story, Mr. Condon plays it safe and doesn't bring anything new to the
screen. If you missed the play, you will probably appreciate the film all
the more for it's accurate reproduction. For me, this was the same problem
with the filmed version of "The Producers". "Chicago" got it right by
adding a new dimension to the story and actually made it better.
The
cast of "Dreamgirls" put forth a mighty effort and standouts include
Jennifer Hudson and Eddie Murphy. Beyonce is a wonderful singer but her
acting is pretty stiff. Jamie Foxx shines early in the film but as his
character ages, his initial energy diminishes. Danny Glover does a fine
job as the road weary manager. The costumes, dancing, and singing are
terrific but bursting into song/speak rather than dialog stops the story
dead rather than moving it forward. As written, the story and pace follow
the stage performance perfectly. You realize the end of act one and almost
expect the intermission sign to light up.
If nothing else, see "Dreamgirls" to discover Jennifer Hudson. A loser on
"American Idol", she proves they made a mistake by lighting up the screen
with her acting and singing. If the name hadn't been already taken,
"Dreamgirls" could have been called "A Star Is Born".
Author- 30 Second Critic, posted 1/5/06
E
"Eagle Eye"
Apart from his acting skills, Shia LeBeouf can really run. He's run
in "Transformers", "Indiana Jones", and "Disturbia" (limited in range due
to ankle bracelet). He's making a career out of running and in "Eagle
Eye", he's at the top of his running game.
This is an exciting chase film that leaves much logic behind but is
action packed and very suspenseful. It's a perfect Indian summer popcorn
movie. Besides Mr. LaBeouf, the film stars Michelle Monaghan (his running
"partner"), Billy Bob Thornton (the FBI agent running after him), Rosario
Dawson ( the Military agent running after everyone), and Michael Chiklis
(the Secretary of Defense who doesn't run at all but he does enough
running on "The Shield").
The film borrows liberally from movies like "Enemy of The State",
"any Bourne film and especially "Wargames" but still manages to put a spin
on current technology and character twists and turns. Like it's lead
character, it's not that smart but still fun to watch. One thing is for
certain, you will leave the theater with a high level of paranoia.
Author- 30 second critic, posted 9/29/08
"Eastern Promises"
The new film from Director,
David Cronenberg, delivers the goods. Following up last year's "A History
of Violence", "Eastern Promises" once again teams Mr. Cronenberg with
Viggo Mortensen who is outstanding in an Oscar caliber performance.
The story gives us a glimpse into the shadowy world of the Russian
mob where Mr. Mortensen is a "driver" working for Vincent Cassel, and his
father, played by Armin Mueller-Stahl. Mr. Cassel is excellent as the
spoiled, cowardly son and Mr. Mueller-Stahl is absolutely chilling as the
mob boss who goes from loving to violently cruel in the blink of an eye.
As the midwife who accidentally finds herself immersed in this world,
Naomi Watts holds her own with her male co-stars.
Part of the genius of "Eastern
Promises" lies in the minimum acts of violence that are so graphic that
they resonate throughout the film, making it seem far more violent than it
really is. This is signature Cronenberg and his style breathes life into
these characters like no other director. The film is intense, absorbing
and aside from one plot point that bothered me, just terrific.
Author- 30 Second Critic, posted 9/22/07
"Enchanted"
Disney has found a new way to mine box office gold. "Enchanted" borrows
from Sleeping Beauty, Snow White, and few of their other classics to come
up with the tale of a cartoon damsel in distress banished to the reality
of New York City.
Amy Adams is wonderful as Giselle, a lovely cartoon character about to
marry her Prince Charming (or in this case, Edward) played by James
Marsden. The film starts out animated but the characters soon find
themselves come to life, in New York (due to the magic of the evil Queen,
played by Susan Sarandon) where Giselle meets Patrick Dempsey, a single
parent divorce lawyer.
Other animated characters end up in the real world too as the film rolls
along to it's inevitable conclusion. There are many fun moments,
especially in the beginning as the characters adjust to becoming "real".
As I said, Amy Adams is wonderful as Giselle, lovely and bewildered at the
same time. Mr. Marsden plays the vain and clueless Edward perfectly. Ms.
Sarandon has a fine time camping it up as the evil Queen. Mr. Dempsey, on
the other hand simply plays a lawyer version of his TV doctor, Derek
Sheppard. To his defense, that's about what the role calls for. Indina
Menzel is wasted as Nancy, Mr. Dempsey's fiancé. She simply isn't given
much to do for someone with her talent.
Timothy Spall and Pip the chipmunk add comic relief. The film is colorful,
features a few clever songs, and is simple fun. "Enchanted" is great for
the kids and entertaining for adults as well.
Author- 30 second critic, posted 11/25/07
F
"The Fall"
Director Tarsem, coming off his debut film, the
visually interesting but empty, "The Cell", returns with another visual
stunner. This time with a much more fulfilling story.
The film is about a young child recuperating in
a Los Angeles hospital who befriends another patient, Roy, who begins to
tell her a fascinating story filled with romance and adventure. He fills
the story with characters taken from people in and around the hospital.
Shot practically all over the world, "The Fall" is
breathtaking to watch. Apparently most of all the visuals were real
and not CGI and they are amazing. This is a visual treat. The swimming
elephant alone is worth the price of admission.
Tarsem paints a beautiful canvas but as a director
needs to work on his pacing and action sequences. "The Fall" is a big
improvement over his last effort and it's good to see him growing as a
director without losing his flair for visual imagery.
author-30 second critic, posted 5/28/08
"Fat Girls"
A new film by a 21 year old
writer/director (youngest ever accepted at The Tribeca Film Festival),
this movie plays like a low rent gay version of "Napoleon Dynamite".
The movie centers on a gay high school senior, trying to find his "inner
fat girl". His best friends are a literal fat girl and a Cuban refugee
named Rudy. Odd ball family members, classmates and townsfolk round out
the cast.
The film completely falls apart at the
end leaving almost every plot point unanswered. From a technical
standpoint, the film is well made but the promising premise is hurt by the
disappointing script.
author - 30 Second Critic, posted 6/20/06
"Flushed Away"
The latest animated feature, in what seems like a never ending supply of
cute and cuddly animal cartoons. This time around though it's rats and
not bunnies/bears/hedgehogs, etc that is the focus. The film was made
by the same camp that put together Wallace and Gromit and Chicken Run.
Big difference here, is instead of the Clay animation process used in those
films, it's all computerized. They've kept the familiar features
and in many cases it still looks as though it's the familiar claymation.
I can't help but think that the computer has allowed them to take
their creativity to a new level with very dynamic settings and visuals mixed
with very simple clay like characters. The film centers on Roddy,
voiced by Hugh Jackman, an uppercrust Rat who get's "flushed" and enters a
world completely different than what he has become accustomed. Here he
meets a feisty female rat played by Kate Winslet who is captain of a sewer
boat and is being pursued by an evil Toad played by Ian McKellan and his
cousin "Le Frog" played by Jean Reno. This movie felt like a mix of
the Prince and the Pauper, the African Queen, and James Bond all rolled
together and starring rats. This is a fast moving 82 min runtime,
which works great. The obvious and not so obvious jokes are fast an
furious. Keep your eyes peeled for many "inside jokes" including
an homage to Hugh Jackman's superhero past, and a terrific blink and you'll
miss it Han Solo gag. Add some singing slugs into the mix, and this
one's just a lot of fun that I'll probably have to see again just to catch
all the things I missed the first time.
Author- Patrick, posted 11/06/06
"For
Your Consideration"
Christopher Guest's latest comedy, while not up to the high standards of
his earlier work, is still a fun send-up of Hollywood with solid work from
his usual ensemble of actors, including Catherine O'Hara, Eugene Levy (who
co-wrote the film with Guest), Parker Posey and Harry Shearer.
The story concerns a small budget film, "Home For Purim", starring Ms.
O'Hara's character, Marilyn Hack. When a small article appears on the
internet calling her work "Oscar Worthy", a buzz begins to grow about the
film and it's stars. Soon, Oscar buzz is growing not only for Ms. Hack,
but for Mr. Shearer's character as well as Ms. Posey's. Producers,
publicists, managers, and TV talk show hosts all get in on the growing
buzz which builds towards the actual day nominations are announced.
The rest of the large cast, including some fun cameos all contribute to
the satiric script. Fred Willard and Jane Lynch, in particular, are very
funny as an clueless "Entertainment Tonight" duo. There are many laugh out
loud moments but the subject matter may be too much of an inside joke to
the general public.
"For Your Consideration" has all but disappeared from theaters but is
definitely worth checking out in a few months when it hits DVD.
Author- 30 second critic, posted 1/4/06
"The Forbidden Kingdom"
Jackie Chan and Jet Li star
together for the first time in this American written and directed
version of an Asian martial arts epic. The film doesn't try for any
thing original except for the pairing of these two superstars. It's a
combination of "Crouching Tiger, Hidden Dragon" ,"The Karate Kid" ,
"Lord Of The Rings" with a bit of " The Wizard of Oz" thrown in for
good measure.
The story itself is entertaining but suffers from anemic
dialogue. The sparks do fly with every action sequence, especially an
early fight between Mr. Chan and Mr. Li. The legendary fight
choreographer, Woo Ping Yuen is not content to have his actors battle
on the ground. There is more wire work in this film than a mouth full
of braces. Even so, the action is fast and furious and fun to
watch. Michael Angarano does his best Ralph Macchio impression
learning to fight from the two masters while trying to find his way
home.
If you enjoy this genre, you'll appreciate it more on a big
screen. The locations are a visual treat, even if there is no logic to
the trek between forest, desert and mountaintop. The desert sequence
appears to have been written solely as a set up to a crudely
humorous visual joke. Most of the humor in the film is provided by Mr.
Chan and contrasting his style against the more serious Mr. Li is what
makes the film fun to watch.
Author- 30 second critic, posted 4/19/08
"The Fountain"
Contrary to
expectations, "The Fountain" is not about the fountain of youth but rather
The Tree of Life. Hugh Jackman and Rachel Weisz star as lovers in this
sci-fi, time traveling love story. Jackman's acting is intense and serious
but wasted in this metaphysical mess.
The plot (or what resembles a plot) moves
between 16th century Spain, the present and the far future where Jackman
must find The Tree of Life in order to save Weisz, who appears to be
immortal but apparently, is not.
The best analogy
I can offer describing this film is when you have an intense dream and
wake in the middle of the night to write it all down. It makes sense at
the time but when you read it back in the morning, it's incomprehensible.
"The Fountain" is the result of writer/director, Darron Aronofsky's dream.
On a
positive note, the art direction is excellent although the lighting is so
dark for most of the film, you can't appreciate it. The whole thing is a
96 minute bore ruminating on immortality, faith, love and the healing
power of tree sap. Don't bother drinking from this "Fountain".
Author- 30 Second Critic,posted 11/22/06
"Frost/Nixon"
There are simply not enough
superlatives to fit a 30 second review. This is a crowning achievement
for director Ron Howard and everyone associated with the film.
Frank Langella and Michael Sheen recreate their Broadway roles and
both are remarkable.
Mr. Langella won the Tony Award for the Broadway show and there
is no doubt he will be nominated and have an excellent chance of
taking home an Oscar as well. With hardly any makeup, he completely
transforms himself into Richard Nixon. It is a performance of such
depth and honesty, it takes your breath away. Michael Sheen matches
him scene for scene in the interview sequences and channels every
nuance of Mr. Frost.
The direction is crisp, lively and Mr. Howard opens up the
story very naturally while keeping the intimacy of the theater
experience. The lighting, music, and sets all recreate the period
perfectly and enhance the story which plays out like a political
version of "Rocky".
I can't say enough about the supporting cast either. Kevin
Bacon, Oliver Platt, Sam Rockwell, Rebecca Hall, Toby Jones, and
Matthew MacFadyen are all brilliant.
Intellectual, yet immensely entertaining, Frost/Nixon is not to be
missed.
author-30 second critic, posted
12/12/08
"Frozen River"
A new independent drama starring Melissa
Leo, "Frozen River" is a bleak yet gripping drama of life in New York
State, on the Canadian border.
Ms. Leo stars as Ray, a mother of two
boys struggling to make ends meet. When circumstances pair her with
Lila, an Indian woman who smuggles illegal's across a frozen river from
Canada, their lives become intertwined in a unlikely yet necessary
relationship.
Life is hard near the border and the
film pulls no punches. Ms. Leo gives a raw and powerful performance as a
woman running out of options to protect her family. Misty Upham co-stars
as Lila, who also gives an terrific performance. The bond that develops
between these two woman is the core of the story.
There are many suspenseful
moments in the film and the winter cinematography will have you chilled
to the bone. The subject matter may be bleak but propelled by the strong
acting, "Frozen River" won't disappoint if you like good drama.
Author- 30 Second critic, posted 8/10/08
G
"Get Smart"
Way too many TV shows get remade as
feature films and fail miserably. I'm happy to say, "Get Smart" doesn't
fall into that trap. It is a fun, updated homage to the TV show starring
Don Adams but it "smartly" avoids the pitfalls that have caused so many
to crash and burn at the box office.
Steve Carrell is the perfect choice to
play Maxwell Smart, Agent 86. Mr. Carrell doesn't try to mimic Mr.
Adam's role but instead finds an original voice while staying true to
the character. Even the familiar catchphrases are spoken as casual
remarks without any forced fanfare. Ann Hathaway assumes the role of
Agent 99, originally played by Barbara Felton and she too breathes new
life into the character while remaining true to the spirit. Alan Arkin
plays the Chief as more of a departure from the original but is still
quite effective. Dwayne "The Rock" Johnson is well cast as Agent 23 and
there are quite a few surprise cameos.
Taking a 1/2 hour comedy to the big
screen requires the filmmakers to up the ante for action and special
effects. The film delivers on all fronts. There is plenty of action,
terrific stunt work and lots of legitimate laughs.
A very enjoyable summer comedy that
works... and sets up the inevitable sequel.
Author- 30 second critic, posted 6/22/08
"Gomorrah"
A pseudo documentary about the criminal
activities of the Camora, street level mafia gangs that populate the
area around Naples, Italy. The film focuses on six different
characters in four main subplots that rotate throughout the film. This
is not linear storytelling and won't appeal to the average film fan.
If you are a fan of the HBO show, "The Wire", this film may appeal to
you.
There are no heroes or heroines and
actually, no redeeming characters at all. All the characters are
caught up in the violent way of life and it's just a matter of who
lives and who dies by the end of the film. The subplots introduce us
to characters of all ages from the young boy making a dangerous life
decision to the old man looking for a way out of the only life he's
known.
This is not the Hollywood idea of the
"Mafia". This is a grim, realistic portrait of a brutal life and while
not a film to enjoy, it is certainly a fascinating two hour glimpse
into this very real existence.
author- 30 second Critic, posted 3/08/09
"Go Go Tales"
From New York Indy director, Abel Ferrara, comes this tale of a down
on his luck strip club owner played by Willem Dafoe. While the film is
set in New York, it was actually filmed in Italy which may account for
the intimate setting of Ray Ruby's Paradise Strip Club. The entire film
takes place either inside or in front of the club.
Matthew Modine co-stars as a silent partner in the
club and his character seems to have wandered in from a David Lynch
film. The film also stars Bob Hoskins, who is wasted in an underwritten
role and Sylvia Miles, who shows the most life as the landlady looking
for her back rent.
Except for the cache of Mr. Ferrara, I don't
understand why this film was selected for The NY Film Festival. It's a
quirky little film about a seedy world that has nothing much to offer
it's audience. Mr. Dafoe sings, Asia Argento French kisses a dog, and
there are endless shots of all the strippers doing their thing.
Author- 30 second critic, posted 10/6/07
"Gone Baby Gone"
A very solid directorial debut by Ben
Affleck. Based on the crime novel by Dennis Lehane, the story revolves
around a kidnapped child and the secrets underlining the crime.
Mr. Affleck not only directed but is also responsible in part for the
screenplay and in both roles, he has crafted a taut, engrossing story
filled with memorable characters. He shows a flair for capturing the
life blood of the Boston neighborhood where the story takes place.
The film stars his younger brother, Casey Affleck, Michelle Monhagan,
Morgan Freeman, Ed Harris, and in a terrific supporting role, Amy
Ryan, as the mother of the missing child. All the acting is solid and
the film takes some interesting twists and turns towards an unexpected
ending.
This is a dark tale with difficult subject matter that some will
probably find unsettling. It aspires to the pedigree of "Mystic River"
and at times, almost gets there. Mr. Affleck has found a new home
behind the camera.
Author- 30 second critic, posted 10/29/07
"The Good German"
Director Steven
Soderburgh newest film staring George Clooney and Cate Blanchett is an
interesting experiment in filmmaking. Shot in black & white using old
style cameras and cinematography, Soderburgh strives to recreate a
1940's melodrama. For the most part he succeeds but whether or not
today's audience will embrace a film like this remains to be seen.
The story takes place
in Berlin just at the end of the war. Clooney is a war correspondent who
comes to the city to cover the peace talks and instead finds himself
caught up in the murder of a G.I. and helping his old girlfriend, played
by Blanchett, get safely out of Germany. The film also stars Toby
Maguire and Robin Weigert (Calamity Jane from HBO's Deadwood).
The closing moments
of the film deliberately mirror Casablanca's ending. Clooney channels
Humphrey Bogart and Blanchett, Ingrid Bergman. The mood, lighting, score
and seamless integration of stock footage all contribute to a faithful
film noir of the period. The only thing that breaks the mood is the
contemporary use of explicit language and one scene of a topless dancer.
"The Good
German" is intriguing and well acted. Blanchett is an amazing chameleon
(especially after just seeing her in "Notes From A Scandal"). Clooney is
the classic stoic hero and Toby Maguire tries hard to shed his
"Spiderman" image. If you're looking for something different besides
sequels, remakes, and teen comedies, this "retro" drama fits the bill.
Author- 30 Second Critic, posted 1/8/06
"Gran Torino"
Archie Bunker meets Dirty Harry.
These may be dated references but they are American icons and so is
Clint Eastwood. More occupied in directing (including this one) than
acting, this may be Mr. Eastwood's acting swansong. If so, he goes out
on top with an Oscar worthy performance as Walt kowalski, a cranky,
bigoted Korean War veteran.
Walt is a combination Archie,
Harry and some William Munny thrown in too. The film opens with the
funeral of his wife and we quickly learn this is a man living with
past demons in a modern world not to his liking. Walt could easily
have been played over the top but Mr. Eastwood has tight control on
the character and the layers come away ever so slowly.
The Asian family next door set
off a series of events that reluctantly begin to involve Walt and
while the racial slurs fly, he slowly comes around to his new
neighbors.
The gang that terrorizes the family are
stereotypical but a necessary evil to further the story. While you may
think you know where it's going, you just may be surprised.
Author-30 second critic, posted
12/24/08
H
"Hairspray"
Recent movie versions of Broadway shows have not
really translated well to the screen with the exception of "Chicago".
"Hairspray" does a terrific job of migrating from stage to screen, bursting
off Broadway and into the streets of 1960's Baltimore. The songs and the
choreography are first rate and the casting is absolutely perfect.
John Travolta, at first seemed an odd
choice as Edna Turnblad but he makes the role his own and quickly disappears
into the character. His singing and dancing skills still come through, even
under tons of latex. Christopher Walken, Michele Pfeiffer, Queen Latifah,
James Marstan, and Allison Janney are all just wonderful in their respective
roles.
As the teenagers, Zac Efron, Amanda Bynes,
Elijah Kelly, and Brittany Snow are all excellent. Stealing the film out
from all these established stars, however, is Nicole Blonsky as Tracy
Turnblad, the teenager who helps bring integration to Baltimore. Ms. Blonsky
is a singing and dancing wonder who shows great promise for a long career in
film or on stage.
"Hairspray" will have you smiling and
tapping your feet from it's opening moments. It's a very enjoyable time at
the movies and a lot cheaper than the Broadway show.
Author- 30 second critic, posted 7/28/07
"Hamlet 2"
Written and directed by Andrew Fleming,
Hamlet 2 is this year's "Napoleon Dynamite". It is most definitely a left
of center comedy with flashes of brilliance but not for everyone.
The film stars the British actor, Steve
Coogan, as an American drama teacher trying to keep it together in Tucson
Arizona. His life is a mess. His acting career never got off the ground,
his student can't stand him, his wife has become distant, and his plays
(based on movies) are a flop. Things start to change as he decides to
stage his original work, Hamlet 2.
Catherine Keener co-stars as Mr.
Coogan's unsupportive wife. She always shines in quirky films like this
and is very well cast. David Arquette plays a man sharing their home for
extra income and Amy Poehler has a very funny part as a Civil Liberties
lawyer.
Mr. Coogan is terrific in the film
playing a very odd character. This is a very original story with what
appears to be a logical plot that veers off in a bizarre direction. It
makes a great double feature with the aforementioned, "Napoleon Dynamite".
Author- 30 second critic, posted 9/11/08
"Hancock"
Will Smith is a very engaging actor but even he can't save this meandering
script. The first half hour of Hancock delivers on the promise of the
trailer, a boozy bum of a superhero who doesn't seem to really care about
anything. This premise is fresh and there is plenty of action and some
good laughs as well. The problem is where the story goes from there.
The plot quickly takes a very
strange twist and the film heads down an entirely different road. The tone
becomes darker, the comedy is gone and suddenly we have a serious drama
unfolding. The last act of the film introduces a ridiculous villain, a
less than a spectacular fight scene, and an unlikely hero in a character
that up until the end seemed to be in a different movie. The ending just
fizzles away like extinguishing a firecracker before it explodes.
Jason Bateman is perfectly
cast as the PR man who tries to change Hancock's image but he's basically
playing Michael Bluth from "Arrested Development". Charlize Theron
overacts because she is a serious actress miscast in a confusing role.
Will Smith tries to carry the weight of the film on his shoulders but this
time out, it just collapses back on him.
I'm sure this will be a
huge audience favorite, easily #1 at the box office but...it's just not
that good.
Author- 30 second critic, posted 7/2/08
"Happy Go Lucky"
From writer/director Mike Leigh comes a
charming story of an eternal optimist. The film has all but disappeared
from most theaters but is well worth hunting down. It has made quite a few
Top 10 lists for this year and much about it is merited.
Sally Hawkins stars as Poppy, a free
spirited young woman who rolls with life's punches with a smile and laugh.
Ms. Hawkins is wonderful in the role and you can't help getting caught up
in her good nature and positive outlook. When her bike is stolen Poppy
signs up for driving lessons and Scott, her instructor turns out to be her
exact opposite. This makes for some terrific scenes during the driving
lessons. During the course of the film, Poppy encounters many of life's
curveballs but she keeps swinging away affecting everyone around her.
This is a "small film" filled with many
little pleasures. The acting is terrific and Mr. Leigh's direction, as
always, is simple and direct, letting his actors create their roles along
the way. You can't help but feel good after "Happy Go Lucky".
author-30 second critic, posted 12/27/08
"Harry Potter & The Order of The Phoenix"
Film five
in the series continues a trend set in the last film...the darker the
better. "Phoenix" is very dark and very heavy on dialog. The action
is exciting but doesn't occur very often. This is strictly a transitional
film that continues a bridge toward the inevitable conclusion with film
seven.
The visuals
are very good and the acting continues to improve for our three central
leads, Daniel Radcliffe, Emma Watson, and Rupert Grint. The remaining
friends and foes are played convincingly by what appears to
be, every British actor living today. Imelda Staunton is a standout as
Delores Umbridge.
What
falters here is the direction. Besides a lack of action, the film suffers
from a lack of levity as well. A few jokes at Ron Wesley's expense don't
really count as comic relief. The sub-plots of the book suffer here as
well. Minor plot points come and go without much explanation making this a
film just for the hard core fan base. Casual fans who may not be familiar
with the book will soon be lost.
Author- 30 Second Critic, posted 7/13/07
"Hellboy II;The Golden Army"
Hellboy II The Golden Army is strictly for the
fans. It is a visual treat written and directed by Guillermo del Toro
based on the comic character created by Mike Mignola. Ron Perlman returns
as Hellboy as does Selma Blair, Doug Jones, and Jeffrey tambor in all
their respective roles from the first film.
This time around the art direction and
fantastic creatures are left overs from the imaginative world of "Pan's
Labyrinth". The story is silly and rather dull (shoot the giant
plant...yawn). The "Golden Army" of the title look interesting enough but
in the end, don't pose much of a threat. A good deal of the film looks
like it takes place in the Cantina from "Star Wars IV". The best part is
the opening moments in the auction house. It goes downhill from there.
The actors try hard but the script
brings them down. Still, it all looks pretty cool and will definitely
appeal to a young male teen crowd.
Author- 30 second critic, posted 7/17/08
"High School Musical 3"
Strictly for the tweeners, this franchise is wearing out it's
welcome. The songs are forgettable, the acting is below average, and the
plot is wafer thin. The only thing going for it is the choreography which,
while not Bob Fosse, is enough to keep adults awake during this shameless
sequel.
Only in Disneyland, will you find a high school as squeaky clean
as East High. Everything about this film shines like it's just come
through a car wash. The film belongs on Disney channel like it's
predecessors and releasing it in theaters was strictly a marketing ploy
by the Disney machine to put more cash in it's coffers. And based on it's
weekend take at the box office, their efforts paid off in a big way.
Biggest opening ever for a musical will surely produce "High School
Musical 4: The Reunion". And as long as kids continue to grow up with
Disney channel, this franchise will live forever. Heaven help us!
author- 30 second critic, posted 10/26/08
"The Hoax"
Richard Gere, Alfred
Molina, Hope Davis, and Marcia Gay Harden star in the apparently true
story of Clifford Irving's royal scam of McGraw-Hill in the 70's. Irving
made claims that he personally knew and interviewed reclusive Billionaire,
Howard Hughes. He managed to get a million dollar advance out of McGraw
Hill for the publishing rights. The story has been documented many times
over but "The Hoax" still manages to entertain and amuse.
Gere and Molina
are a terrific team...a modern day Laurel & Hardy playing well against
each other with Gere as Irving and Molina as Dick Suskind, his best friend
and co-conspirator. Ms. Harden plays Edith Irving in what I can only
assume is a spot on depiction of the real Edith. Hope Davis plays Andrea
Tate, the lead editor at McGraw Hill who is first to be suckered by
Irving.
Director
Lasse Hallstrom captures the period of the 70's perfectly with costumes,
makeup and an accurate and appealing soundtrack. "The Hoax" is
interesting, both in subject and performance but ultimately will play just
as well on DVD.
Author- 30 Second Critic, posted 4/26/07
"Hot Fuzz"
From the folks that brought
you "Shaun of The Dead", "Hot Fuzz" is a loving satire of almost every
action cop movie from the 80's and 90's. Played for laughs and yet
deadly serious, this British comedy works on many levels.
What makes the serious
nature of the film so funny is the presence of so many distinguished
English actors. Steve Coogan, Bill Nighy, Martin Freeman, Edward
Woodward, Jim Broadbent, and Timothy Dalton are the most recognizable
faces for an American audience and they are all terrific in both minor
and major roles. The lead character, Sgt. Nicholas Angel, is played by
Simon Pegg, who also co-wrote the film. His dim witted side kick, P.C.
Danny Butterman, is played by Nick Frost.
Sgt. Angel is
a super cop making the rest of the London police force look bad so he
is promptly promoted and sent off to work in a sleepy little village
in the English countryside. Of course, nothing is what it seems and
total mayhem ensues. There are liberal amounts of blood and gore in
the more violent moments which are so over the top, the filmmakers
could only think "more gore equals more laughs" and you'll swear
Michael Bay directed the last 20 minutes. If you're a fan of British
humor in a "Monty Python" vein, grab a pint and don't miss "Hot Fuzz".
Author- 30 Second Critic, posted
5/4/07
I
"I Am Legend"
I am boring.... After an extremely promising start, "Legend" slows to a
crawl until the big finish, which frankly, didn't really thrill me.
Will Smith is very good in the lead and almost only role. It's a different
Will Smith, more serious, yet emotional and heroic. His German Shepherd
companion is an extremely well trained and expressive animal.
The special effects are amazing and
really give you a sense of a deserted New York City. The problem is, after
the initial "wow" factor, you get used to it pretty quickly and the effect
loses it's punch. The same can be said for the night creatures. They are
terrifying at first and then just annoying.
There is one really terrific sequence outside grand central station that
was truly exciting but Will's loneliness and boredom is so realistic that
it carries over to the audience.
The one truly frightening thing about the film is that many doctors
believe the premise of the film will actually come to pass. It's not a
question of what if, but rather, when.
Author-30 Second critic, posted 12/20/07
"I Trust You To Kill Me"
A film about
Rocco DeLucca & The Burden, a new band documenting their 2005 European
tour. What sets this film apart from other "rockumentaries" is the
presence of their tour manager and Label Honcho, Keifer Sutherland.
Having
signed the band to his fledgling label, Ironworks, Sutherland takes the
band on the road and films their adventures in England, Ireland, Iceland,
and Germany. The film is well paced, fun to watch and gives you some
insight into the mind of Keifer Sutherland. The film divides it's time
between Rocco and the band and Keifer's attempts as a road manager. There
are some very funny moments and some confessional ones as well. The music
rocks and as a PR tool, the film does a good job creating interest for the
band. The added bonus of a very human Sutherland helps the film stand on
it's own as an entertaining documentary
Author-30 Second Critic, posted 9/9/06
"The Illusionist"
Edward Norton and Paul Giamatti are two of the finest actors
working today and this film totally showcases their talent. Norton
plays a turn of the century "illusionist" in Vienna who angers
the crown prince when he renews a romance with his childhood
girlfriend (now engaged to the prince), played by Jessica Biel.
Giamatti is the police inspector working for the prince who is
torn for his admiration for Norton and his duty to the state.
Rufus Sewell plays the crown prince and makes an admirable
villain.
Norton performs his own magic and illusions with a smooth sleight
of hand and both he and Giamatti are at the top of their craft in
this game of cat & mouse. Prague substitutes for old Vienna and
looks wonderful. The attention to detail truly transports the
viewer back in time. The pace of the film is slow but deliberate.
This may be a turnoff for some but I still found the
film absorbing and easily engaging.
Author- 30 Second Critic, posted 8/26/06
"I'm Not There"
The new film
from director Todd Haynes, may or may not be a biography of Rock Icon,
Bob Dylan. The film is based on the life and times of Bob Dylan and
features his music throughout the film, however, he is never mentioned
by name and six different actors play different interpretations of him.
The title of the film is perfect!
Serious Dylan fans will fully appreciate the film more than the casual
fan as they will probably get more of the "in-jokes" and personal
aspects of Mr. Dylan's life as portrayed on the screen. There is a very
loose structure of a story that moves back and forth in time throughout
different periods of Mr. Dylan's career but what really propels the film
are the six actors and the cinematography.
The six actors playing Dylan-esque characters are Cate Blanchett, Ben
Whishaw, Christian Bale, Richard Gere, Marcus Carl Franklin, and Heath
Ledger. They are all terrific but a true standout is Ms. Blanchett, who
fully captures the look and feel of a mid-sixties Bob Dylan.
The cinematography is simply amazing. Each time period is represented by
different styles (and nods to other directors) with the camera capturing
moments in time with beauty and realism. The film is a visual feast for
the eyes. Add in the terrific Dylan songs and aforementioned
performances and you have a remarkable film to experience, even if you
are confused by "the story".
"I'm Not There" premiered at The NY FILM FESTIVAL and the opening date
has not been announced. As an aside, the cover story of this weekend's
NY Times Magazine section is all about Mr. Haynes and the film.
author- 30 second critic, posted 10/6/07
"Indiana Jones & The Kingdom of The Crystal Skull"
"Indiana Jones & The Kingdom of the blah blah
blah...."
After twenty years, it's fun to have Indiana
Jones swing back into our lives but shortly after a rush of nostalgic
adrenaline, the film quickly turns to a bloated rehash of pieces of The
"Indy" trilogy with a little "Stars Wars" and "Close Encounters" thrown
in.
Harrison Ford still makes a striking hero
but even he looks bored in certain scenes. There is way too much
exposition to explain the convoluted plot and how many times do we have
to go into scary caves and wipe away cobwebs?
Shia LaBeouf was cast to attract a younger
audience and possibly keep the franchise going. Cate Blanchett vamps it
up as a Russian villain but keeps misplacing her accent. Karen Allen is
a nice addition if only to remind fans how much fun and magical "Raiders
of The Lost Ark" really was compared to this retread.
There are some exciting moments but
unfortunately the magic is gone. Enough with the sequels. It's time for
Mr. Spielberg and Mr. Lucas to really thrill us again with something new
and original.
Author-30 second critic,
posted 5/25/08
"Indiana Jones & The Kingdom of The Crystal
Skull"
I saw Indiana Jones & the
Kingdom of Crystal Skull and well, let’s get the bad news out of the
way first – there’s so much soft gel on the camera lens to hide the
wrinkles & grey, I thought I was watching an Elizabeth Taylor
infomercial. Also, the plot and action scenes are so WAY over the top
in unbelieveability as to beggar belief – I mean, WAY over the top. I
couldn’t stop admiring Cate Blanchette’s hairstyle (not a strand out
of place) or the fact that Karen Allen’s outfit had no mud on it and
Indy never lost his hat! And the Shia LaBouef character is a little
too of its time (1950’s) – always combing his DA, the motorcycle
jacket AND hat stolen from Marlon Brando’s dressing room. There are
so many moments that take you out of the movie and make you lean to
your viewing companion to say “Did you see that?”, that its
distracting. And the ending is so Spielberg, I wanted to scream – it
makes AI make sense.
Ok, so having said that, the
good news is, while it won’t be remembered 2 months from now, this is
one enjoyable popcorn movie. In the truest sense and because that’s
what Lucas & Spielberg wanted to recreate, those Sat. afternoon
serials, they have accomplished their goal. It is a rip roaring
roller coaster ride (oh, and on that, there’s 2 scenes I can totally
see becoming Universal Studio rides!), full of creepy crawlies that
had me squirming and peering through my hands, good laughs, plenty of
homage to the 1st 3 movies and I was completely entertained.
Definitely one to take everyone 8 & up…Its no Iron Man, this summer’s
best blockbuster, but it’s a great way to spend 2 hours.
Author- Irma, posted 5/26/08
"The International"
With the
exception of a exciting shoot out in a NY icon, this film is a
"Bourne" clone without the action.
Clive Owen does an admirable job
playing the action hero. It's just a shame there is not much action.
The film is all talk and you need to pay attention to follow the
story. Naomi Watts co-stars in a unnecessary role just so Mr.
Owen has an additional person to talk to about the plot.
The story concerns an
international bank that is up to it's books in shady, criminal
activities and Mr. Owen is determined to get his interest's worth
bringing them down. The best thing that can be said is the film is
truly international taking the viewer on a world tour from New York
to various European locations.
This is the kind of "thriller"
that dominated the '60's. If "The International" had been made back
then, it would have starred Michael Caine and you probably would
have rushed out to see it. Today, you can wait for the DVD.
Author- 30 second
critic, posted 3/08/09
"In Bruges"
In the February wasteland of new
films, there is usually one that breaks out and stays with you for a
while. This year, that film is "In Bruges". It opened the Sundance Film
Festival and it's lots of fun if you're a fan of dark comedies.
Written and directed by playwright
Martin McDonagh, "In Bruges" stars Colin Farrell and Brenden Gleeson as
Hit men hiding out in the real medieval town of Bruges, located in
Belgium. Mr. Farrell is Ray, a goofy sort riddled with guilt over a
botched hit. Mr. Gleeson is Ken, a seasoned professional who is taken by
the old world charm of the city. There is great chemistry between them
and it makes for an enjoyable buddy film with a new perspective. The
film also stars Ralph Fiennes as Harry, the hit men's boss and while he
doesn't have much screen time, he is a commanding presence and crucial
to the story.
Mr. McDonagh writes primarily for
the theater and his plays are know for their dark humor and
shocking flashes of violence. "In Bruges" is very funny, primarily due
to Mr. Farrell and yet, there are moments of violence that are pretty
graphic. Also be warned, Mr. McDonagh writes from the gut and there is a
liberal amount of "foul" language in the dialog. The film also takes
plenty of shots at "ugly" Americans which some in the audience may find
insulting.
Author- 30 Second critic, posted 2/9/08
"The Incredible Hulk"
A vast improvement over the Ang
Lee version from a few years back but still strictly for fans of the
comic. The story closely follows the comic with a few minor changes.
Edward Norton is perfectly cast
as Bruce Banner and William Hurt makes a fine General "Thunderbolt"
Ross. Liv Tyler tries too hard and doesn't really do justice to Betty
Ross. As Emile Blonsky, Tim Roth adds his usual blend of psychosis and
gravitas. Tim Blake Nelson has a small but pivotal role which, if the
sequel gets made, will become much more important.
The action sequences are nicely
balanced with the human drama and the final battle between The Hulk and
The Abomination had the audience actually clapping and cheering. The
CGI Hulk is also an improvement over the Lee version but still too
obvious.
There are some holes in the plot
but also a few pleasant surprises, setting up a Marvel movie franchise
for years to come.
Author, 30 second critic, posted 6/14/08
"Into The Wild"
Based on the
non-fictional bestseller, "Into The Wild" is the story of Chris
McCandless, a college graduate who leaves behind a privileged life for
one of self discovery and adventure. Sean Penn has adapted the
screenplay and directs the film.
Not having read the book, I can offer no comparison and
just take the film at its own worth. After graduating, Chris decides to
drop out of society and go off on his own journey across America,
ultimately to Alaska. He changes his name and ceases any communication
with his family. The people he encounters and his own self discovery
form the basis of the film, recreated by his journals and the memory of
those who knew him.
Visually the film
is breathtaking with many of the Western states and Alaska providing the
natural background for the story. Songs and music by Eddie Vedder
compliment the story perfectly. As Chris, Emile Hirsch does his best
work to date, in a physically and emotionally demanding role. The film
also stars Hal Holbrook, Vince Vaughn, and Catherine Keener as the
people Chris meets and impact his life. In addition, Marcia Gay Harden
and William Hurt play Chris's parents and Jenna Malone, his sister.
Mr.
Penn charts Chris's journey with love and affection for the character.
But in the end, "Into The Wild" is not a celebration but rather just an
observation of one man's life. It is ultimately a sad story but not as
haunting as it might have been.
author- 30 second critic, posted 12/1/07
"Into The Wild"
I saw what has to be
the best movie of the year for me. Directed by Sean Penn and
starring Emile Hirsch, Into The Wild, tells the true story of
Christopher McCandless, a college grad who gives/throws away his
comfortable lifestyle & family to explore the outdoors with the ultimate
goal of getting back to nature in Alaska. I will say this up
front, it's a long movie, almost 3 hours, but I promise you, if you go
in knowing this (and not drinking a giant soda) you will come out all
the better for having seen this amazing film.
I had not read the book,
but I can't wait to. I want to know more about this man and his
journey and where he went. Apparently, he wrote notes in books and
sent postcards to those he met on his exploration and from that they
were able to piece together the last 2 years of his life. The
acting by Emile Hirsch is right on perfect. He's charming and
enthusiastic and what he goes through to portray what McCandless went
through is worth an Oscar straight off. Then there's the
supporting cast, Catherine Keener as a hippie chick who mothers
McCandless, Vince Vaughan, who gives him a part time job and advice, and
the best, Hal Holbrook, who comes to think of McCandless as a grandson.
The cinematography, done by the same man who did Motorcycle Diaries
(another fantastic journey pic), is incredible.
But the best, and for me,
the reason I went in the first place, is the soundtrack by Eddie Vedder.
His voice and bare bones instrumentation with guitar, banjo, & mandolin
is so right, it becomes such an integral part of the film. I
cannot wait to see Eddie Vedder at the Oscars!
I am not an outdoors kind
of gal. I don't camp, I don't hike, but I so envied Christopher
McCandless his trip and his pilgrimage. I can't wait to see this
movie again.
Author- Irma, posted 10/7/07
"Iron Man"
Well, Summer has
officially begun. Iron Man, the first of the big summer
blockbusters, opens this weekend. And if ½ of the other releases are
even 1/3 this good, we’re in for a great summer movie season!
Robert Downey, Jr. was
born to play this part. He’s always been a great actor (his role in
Zodiac was incredible), and here the script plays up his strengths.
The filmmakers know the audience is aware of his real life escapades
and this adds a layer of believability to the part. And you got have
the believability for a movie like this. I’m not a big fan of these
types of movies, because they usually are so fantastic that it takes
me out of the movie and makes me think about the plausibility factor.
But Iron Man does one of the best jobs of being as
realistic as possible. The roles are perfectly cast, Gwenyth Paltrow
is just right as Pepper Potts (even if she does run around in
impossibly high heels) and adds just the right sexiness & seriousness
to a part that could have been played too campy. Jeff Bridges, The
Dude, is a seriously fiendish villain and plays it up just right. The
special effects are well done and there’s just the right amount of
humour in the right spots.
Definitely one to see
on the big screen and one to see again!
Author- Irma, posted
4/3/08
"Iron Man"
It is so satisfying when they get a
superhero movie right. Director Jon Favreau must be a fan as the plot
and direction are very faithful to the original comic and as a fan
myself, I really appreciate the effort. The best thing about Iron Man,
aside from the special effects, is the brilliant decision to cast Robert
Downey Jr. as Tony Stark aka Iron Man.
Robert Downy Jr. brings an edge to the
character that other actors would have missed. He is perfectly cast as
are much of his co-stars. Gwyneth Paltrow not only brings "Pepper" Potts
to life but he actually resembles the way Pepper is drawn in the comics.
Terrence Howard plays Tony's friend Rhodey who we should see a lot more
of in the sequel. And as the villain, Jeff Bridges does a great job
without being too over the top (even when he's operating a
monstrous version of Iron Man ).
Since this is an origin story, there
is much to fill in about how Stark becomes Iron Man but rather than
boring back story, the early part of the film is rich in character and
detail, only updating the location from Vietnam to Afghanistan for a
more contemporary connection.
The story is fast paced, filled with
humor and suspense, and some excellent CGI work, particularly when
Pepper sticks her hand into Stark's chest. The recreation of Iron Man's
armor should win an academy award by itself. It's a perfect rendition of
the comic book brought to life.
I can't wait for Iron Man 2.
Author- 30 second critic, posted 4/4/08
J
"The Jonas Brothers:
3D Concert Experience"
And what an experience it is. The live
concert was fun even if I couldn't understand any of the words above the
screaming girls. The film recreation is faithful to the concert but
while it tries hard, it lacks the true excitement of a live show.
The 3D effect provides a sharp clear
image but is not used to much special effect, except for some drumsticks
and guitar picks thrown into the crowd. The songs are certainly easier
to understand without all the screaming (although the film audience
tried to recreate that effect as well).
This is purely for tween and teenage
girls who find these brothers the "it" boy band of the moment.
Author- 30 second critic, posted 3/7/09
"Joshua"
Opening this Friday in select
theaters, "Joshua" is a creepy little drama that finds the horror in one
family's seemingly normal life. Starring Sam Rockwell and Vera Farmiga
as the parents of 9 year old Joshua and his newborn sister, Lilia,
"Joshua" gets creepier and more disturbing as it goes along.
Mr.
Rockwell is terrific as the average hard working dad (a big departure
from his usual left of center roles) faced with an unthinkable
reality and Ms. Faminga is equally good as a mother becoming unhinged by
ordinary family problems complicated by something out of her control.
As
the cracks begin to widen in this nuclear family, you begin to realize
you are watching a very intelligent horror film, minus the gore and
violence. There is nothing supernatural about the horror at work here
and that reason alone makes the film even more disturbing.
"Joshua" pulls you in and keeps you on the edge as it builds to a
surprising third act. It may raise more questions than it answers when
it's over but it's a pretty intense ride along the way.
Author- 30 Second Critic, posted 7/2/07
"Journey To The Center of The Earth 3D"
Brendan Frasier stars as a
scientist looking to prove his brother's theories about the center of the
earth. He takes his nephew, played by Josh Hutchison on a trip to Iceland
following his brother's information. Before you can say, "look out below",
they are falling to the center of the earth along with their cute
Icelandic guide.
The film has a long set
up, some terrific action sequences in the middle and wraps everything up
neatly. What really makes the film entertaining is the 3D. It is truly
exciting and fun to watch with the newest of 3D technology. Everything
from yo-yo's to flying killer fish and dinosaur spit come flying off the
screen and seemingly into your lap. The CGI backgrounds make for a
visually stimulating environment and once our heroes begin their
"journey", the action is pretty non-stop. They do borrow liberally from
other films, like the ride through the mine in Indiana Jones & The Temple
of Doom" but the 3D takes it to another level.
Definitely a fun summer
film for the whole family as long as you leave your logic at the door.
Author- 30 second critic, posted 8/16/08
"Juno"
A sharp script
and terrific performances highlight this comedy about a pregnant
teenager. The film is intelligent and there is never a false note in the
performances.
The film stars Ellen Page as Juno, the
16 year old learning about love and life even as a new life begins to
grow inside her. Ms. Page was terrific in "Hard Candy" and and with each
new film, she continues to show a maturity beyond her years. "Juno" also
stars Michael Cera as "Bleeker", Juno's best friend, responsible for
impregnating her. Mr. Cera owns the part of the sweet, awkward teen
whether it's "Superbad" or "Arrested Development". No one does it
better.
As for the adults in the film,
J.K. Simmons and Allison Janey play Juno's understanding dad and caring
step-mom. Jennifer Garner and Jason Batemen play a childless couple
looking to adopt Juno's baby. The entire cast is just perfect and all
show a new side to the type of characters they usually play.
Besides the clever writing, the film also boasts a terrific
soundtrack, with original songs provided by Kimya Dawson, of the band
"Moldy Peaches". "Juno" captures the language and rhythms of today's
teenagers in a very honest way and the music is a perfect compliment to
the story.
Author- 30 second critic, posted 12/24/07
K
"Kettle
of Fish"
Matthew
Modine and Gina Gershon play very miss-matched characters who, you'll
realize immediately, will end up together at the end. This film is very
obvious from the start and Gershon is terribly miscast as a British
(terrible accent) biologist studying frogs who ends up falling for Modine's
scruffy jazz musician. Fisher Stevens steals the best moments playing a
yogurt mogul too caught up in his product to pay attention to his new wife
(who Modine has fallen for). The occupations are fresh but the story has
been told many times before...and better.
author - 30 Second Critic, posted 6/20/06
"King of The Hill"
A U.S. Premiere at the Spanish Cinema Now
festival at Lincoln Center features the beautiful scenery of
Spain's mountains but transforms them into something evil and menacing.
A man and woman, strangers brought
together by a chance encounter soon find themselves targets of an unseen
sniper. The film is a tense game of cat and mouse and plays out like an
existential "Deliverance". There are no heroes nor villains, no clear
motives and while there is closure, it is devastating and the final image
may haunt you for some time.
Shot entirely on location in the
mountains with a minimal cast and not much dialog, this may not be a film
for everyone. Ultimately, it will provoke conversation long after it ends.
The film is in Spanish with English subtitles.
Author- 30 second critic, posted 12/22/08
"The Kite Runner"
It was like seeing two films in one.
The 1st the story of the two boys was
wonderful.
The 2nd the story about the
Taliban was very, very unrealistic and poorly done. I mean really,
would he really have gotten out of there with no beard on, after the fuss
his driver made about him keeping the beard on! and do the
Taliban not have cell phones to call other
Taliban if indeed and they actually could not find a car to follow
them. And where were the
Taliban at the boarder to
Pakistan, hiding?
Ten minutes of
Taliban would have told what the audience needed to know to
understand the boy/man shifting from a person with no integrity to one who
was now functioning out of guilt entirely and maybe developing a little
integrity.
What could have been a great story was not.
Author- Mara, posted 2/1/08
"Knocked Up"
I wasn't
expecting much when I heard about this film but I was pleasantly
surprised when "Knocked Up" turned out to actually be a sweet romantic
comedy that contains many "laugh out loud" moments. As with his earlier
film, "40 Year Old Virgin", writer-director Judd Apatow has a great
ability to mix sophomoric humor with tender moments to create an engaging
comedy.
The premise of
the stoned slacker winning the love of the beautiful, successful girl
strains credibility (even if he does get her pregnant) but Seth
Rogan's "Ben Stone" is such a lovable loser that you begin to really root
for him. Katherine Heigl doesn't stray that far from her TV character,
"Izzy Stevens" but does show she can hold her own on the "big" screen too.
Leslie Mann and Paul Rudd co-star as Ms.
Heigl's sister and her husband and they almost steal the film. Mr. Rogan's
slacker buddies are all humorous in their own way but a bit underdeveloped
as full characters themselves.
"Knocked Up" ends up a pleasant surprise. Much like the results of the
title. Be warned, however, there is plenty of strong language and a
graphic birthing scene.
Author- 30 second critic, posted 6/16/07
L
"Lars And The Real Girl"
If you are
looking for something different and totally engaging, "Lars And The Real
Girl" is the film for you. This Indy gem is only playing in a few
select theaters but it is worth the search.
Ryan
Gosling (a wonderful actor who chooses his films very carefully) stars as
Lars, a painfully introverted young man in a small Midwestern town. Lars's
emotional baggage is so heavy, he becomes delusional to deal with life.
That delusion and it's effect on his entire town form the basis of the
film.
The subject matter is heavy but the film
deals with it in a light comedic way. There is much humor as well as
heartbreak throughout the story. Watching Lars trying to cope is painful
but the absurdity of the situation is very amusing as well.
All of the acting is outstanding, starting with Mr. Gosling. In supporting
roles are Paul Schneider and Emily Mortimer as his brother and
sister-in-law and Patricia Clarkson as the doctor who helps Lars on his
emotional journey.
Author-30 second critic, posted 10/20/07
"The Last King of Scotland"
Based on the true story of the
infamous Ugandan dictator, Idi Amin, "Last King" is a tour de force for
actor Forest Whitaker. While the story's point of view comes from a
fictional character, Dr. Garrigan (played by James McAvoy), it is Mr.
Whitaker's performance that keeps you riveted to the screen.
Amin is impressed by the Scottish doctor
and makes him his personal physician. At first, the doctor isn't
interested but is soon won over and begins to enjoy his involvement with
the charismatic Amin. However, he slowly comes to realize the monster
hidden behind the smile.
McAvoy plays a great
counterpoint to Whitaker's dictator. Naïve at first, his awakening once he
learns the truth is very natural and the film's climax at Entebbe Airport
is filled with tension as he attempts to free himself of Amin's control.
Mr. Whitaker is a wonderful
actor. He recently did a terrific job guest starring on the TV series,
"The Shield". His portrayal of Idi Amin is Oscar worthy and he most
certainly should receive a nomination at the very least. While the
doctor's tale occasionally ventures into melodrama, you are jolted back to
reality every time Mr. Whitaker is on the screen.
Don't miss one of this year's absolutely best
performances.
Author- 30 Second Critic,
posted 11/03/06
"The Last King of Scotland"
The Last King of Scotland tells the
true story of Idi Amin, the monstrous dictator of Uganda, through the eyes
of a fictional doctor. While I was aware of who Amin was, I didn't
know the full history and unfortunately I didn't learn anything here.
But I did get to see an amazing performance from Forrest Whitaker.
His portrayal of Amin goes from charming and a little eccentric to full
blown paranoia and madness. This is the performance to give other
male actors a run for their money come Oscar time. James McAvoy,
last seen as Mr. Tumnus in Narnia, does a great job as Nicholas Garrigan
of Scotland and plays against Whitaker well.
The story is a bit thin, young man bored with
life back home seeks adventure in deepest Africa and finds himself
fighting for his life amidst the chaos of political upheaval. This
character is supposedly a composite of several people in Amin's life, and
the choices the young doctor makes are very questionable. But the
film hits its stride when Garrigan realizes how crazy and murderous the
dictator really is and tries to flee. There are some gruesome scenes
at the end of the movie that really only touch on what Amin was actually
doing in Uganda.
Author- Irma, posted
10/20/06
"The Last King of Scotland"
This was my favorite film at this
year's Telluride Film Festival, held over Labor Day weekend. We saw
it on the last day of the fest, and the buzz about Whitaker's performance
got louder and louder between Friday night and Monday afternoon. His
portrayal of Amin is simply amazing. The whole Uganda thing was
going on during my college years, so this film really hit home.
Parts are indeed disturbing to watch, but Whitaker's performance is more
than worth the price of admission. It will be a crime if he is not
nominated for best actor.
Author- Joanne, posted 10/20/06
"Leatherheads"
George Clooney goes for a touchdown but
comes up short and settles for a field goal in this period piece about
the early days of football. Co-starring Rene Zellweger, John Krasinski,
and Jonathan Pryce, the film is well cast but it's fault lies in it's
director, Mr. Clooney.
Trying to recreate a "screwball"
comedy of the period, the banter between Mr. Clooney and Ms. Zellweger
seems forced and both actors try to hard to compete with the great comic
battle of the sexes that have come before them. As a director, Mr.
Clooney's comic timing is way off and there are stretches of film that
border on dull and unnecessary. The football sequences are fun but in
short supply.
Peter Gerety adds some real spark late
in the film as the new commissioner of Pro Football. It's a shame he has
only a few scenes.
"Leatherheads" is worth a look if
you're a football fan otherwise better saved for a DVD rental.
Author- 30 sceond critic, posted 4/5/08
"Letters From Iwo Jima"
Clint Eastwood has reached a new
pinnacle in his career. First he brings us the superb film, "Flags of
Our Fathers" and in the same year follows it up with it's brilliant
companion piece, "Letters From Iwo Jima". The two films cover the same
historical moment in time but couldn't be further apart. "Flags" covered
the American point of view of the battle of Iwo Jima, focusing on the
famous flag raising and the guilt that haunted the men responsible for
their effort when pressed into service by the military propaganda
machine. "Letters" focuses on the battle itself, told completely from
the Japanese point of view. It is an intimate portrait of war
told through the letters and memories of the soldiers that lived and
died during terrible battle.
After a brief contemporary
prologue, the story shifts to 1944 as the Japanese prepare to defend Iwo
Jima from the coming American attack. The story focuses on a handful of
Japanese soldiers, enlisted men and officers alike, and follows them
through the attack and battle for possession of the island. Through
their story we come to know them not as the enemy but rather husbands
and sons just like our own troops, fighting and dying in a conflict not
of their choosing.
The steel gray
cinematography lends itself perfectly to the barren island, it's black
sand beaches and it's man-made caves. The score is haunting and
compliments the story without overwhelming it. "Letters From Iwo Jima
is this generation's "All Quiet On The Western Front". As a bookend to
"Flags of Our Fathers", Mr. Eastwood has delivered a masterful one-two
punch on the futility of war.
Author- 30 second critic, posted 12/24/06
"Live Free or Die Hard"
20 Years ago, Bruce Willis redefined
the action hero in "Die Hard". Now, in the age of "24" and "Jack Bauer"
type heroes, Mr. Willis does his best to show these wannabes how it's
really done, as Detective John McClaine.
This is a perfect summer popcorn
movie. Suspend your belief at the door, sit back and enjoy the great
action sequences and witty banter between Mr. Willis and his co-star,
Justin Long. This is far superior to "Die Hard With a Vengeance" but
still pales to the original or even "Die Hard 2".
Using cyber terrorists as a
plot line and giving Mr. Willis a young hacker "partner" works perfectly
here to bridge the gap between generations viewing the film. Casting
Kevin Smith in a small but critical role was a clever idea but you never
buy him as a character named "Warlock". He's just Kevin Smith doing a
cameo. The CGI work, for the most part, is pretty good and except for a
few obvious spots, makes the film a visual thrill ride.
To quote villain,
Timothy Olyphant, (who's good but no Alan Rickman) Detective McClaine
may be "a Timex watch in a digital world" but he takes a licking and
keeps on ticking.
Author- 30 second critic, posted 7/2/07
M
"Mamma Mia"
Unless you are an Abba fan, there
really is no reason to see this film. It's got some star power (Meryl
Streep, Pierce Brosnan, Christie Baranski, Julie Waters and Colin Firth)
but the flimsy plot collapses under the weight of everything Abba.
It's perfectly entertaining if you
don't expect much but upon closer examination, it leaves little to desire.
Meryl Streep looks like she's having a blast but she's embarrassing to
watch. Pierce Brosnan is always dashing but when he sings, there are lots
of unintentional laughs from the audience. The film turns on a plot point
that is never satisfied but rather made immaterial. The cinematography is
very spotting and it's poorly edited. When in doubt, turn up the music to
mask another flaw.
There are some fun production
numbers and Ms. Streep does an excellent job on "The Winner Takes It All"
but overall, it just doesn't work as well as the Broadway show.One of the
biggest charms of the show was audience participation which just doesn't
work (although Ms Streep tries hard during the credits) on film.
Author- 30 second critic, posted 7/20/08
"Marley & Me"
A terrific memoir reduced to a TV movie
of the week masquerading as big screen entertainment. Yes, the dog is cute
but unfortunately the film is not.
To begin with, Marley as a young puppy
is adorable but there is too little screen time for the pup and before you
can say pooperscooper, Marley is an adult dog tearing through the house
chewing anything in his way. Nicknamed "the world's worst dog" simply
because he was never trained properly is certainly not Marley's fault. Who
waits until a dog is an adult before going for training or obedience
lessons? I guess his owners, played by Owen Wilson and Jennifer Anniston,
were too busy trying to find chemistry between them or solving their own
life problems. For a film named for the dog, way too much attention is
spent on the humans.
All the cute fun moments are found in
the trailer or commercial and for the few laughs and smiles they produce,
there is much more sad and unsettling moments throughout the film.
Certainly any dog lover will need a full box of tissues by the credits.
Pass on " Marley & Me" and rent the
DVD of "My Dog Skip" instead.
Author- 30 second critic posted 12/29/08
"Milk"
Utilizing archival footage and recreated
scenes, director Gus Van Sant brings us the life and times of Harvey
Milk (not to be confused with the documentary of the same name). Mr.
Milk was the first openly gay official elected to public office back in
the late 70's. His short time as San Francisco City Supervisor was a
major victory for gay and civil rights.
Sean Penn, as Mr. Milk, adds another
terrific performance to his portfolio. He is truly the best actor of
his generation. Along with Mr. Penn, the film also features James
Franco, Emile Hirsch, Diego Luna, Allison Pill, Dennis O'Hare, and Josh
Brolin. All are excellent in their roles with Mr. Brolin, especially
adding another excellent notch to his belt coming off "No Country For
Old Men", and "W.". James Franco, as well, has shown depth and diversity
to every film he's been in this year and he does the same in "Milk".
While a fascinating and important time
capsule of a turbulent time, "Milk" becomes a bit tedious with protest
after protest and election after election. It is Mr. Penn's powerful
performance that propels the film to it's inevitable end. Where "Milk"
succeeds is in honoring the life of a remarkable man who helped bring
change to a country very much in need of it.
author- 30 second critic, posted 11/28/08
"Miracle at St. Anna"
Spike Lee goes to war and leaves me
confused. The film starts out in the 80's when a postal worker, working
at his window, shoot a customer point blank in the chest. The police
discover the head of an Italian statue in his apartment and he refuses
to explain the head or his actions to anyone. A few scenes later and we
flashback to Italy in WWII where the majority of the film takes place.
The story centers on a group of
four African American soldiers who become separated behind enemy lines.
What starts out as a war story about the Buffalo soldiers division soon
turns into a more intimate tale of these four men and their impact on
the Italian village where they are hiding from the Germans.
Early on there is a massacre at a
river and while it doesn't equal the ferocity of the opening moments of
"Saving Private Ryan", it certainly makes it's point. Mr. Lee actually
drills his point home as the camera lingers far too long over the dead
soldiers floating in the bloody river. His characters are stereotypes of
almost any war movie including the over the top racist Major.
Eventually we learn why the postal
worker kills the customer and along the way there is much death and
destruction. The ending, while obvious, is still too easy and I'm still
left wondering why a postal worker would bring a gun to work everyday,
much less get away with hiding it under his counter.
I admire Mr. Lee's past work but
this project is very ambitious and could have been shorter, tighter, and
more cohesive.
Author- 30 second critic, posted 10/5,08
"Miss Potter"
Miss Potter tells the story of Beatrix Potter,
beloved children's author and is played by Renee Zellweiger. Ewan
McGregor (not the farmer) plays her publisher, Norman Warne. This
PG-rated movie is quite nice and sweet, but not overly so. Beatrix
was apparently a feminist in turn of the century England, wanting to
remain single when it was scandalous to do so and became quite wealthy in
her own right through the sales of her books. She ends up buying
4,000 acres of land in the Lakes District of England and donated them to a
trust. The scenery is breathtaking and that's a definite stop my
next visit over.
Again, its a fine film, but there's not great
drama or tension. Also, when Beatrix is painting her drawings of
Peter Rabbit, Jemima Puddleduck, etc., they come to life through animation
and she talks to them but no one else can see these creatures move.
Now if she really did this, surely someone would have sent her to a
sanitarium for her health and that could have been more dramatic than this
"twee" tweak to the script. Also, with as many fantastic English
actresses as there are, WHY did they hire Renee, Miss Grapefruit, who is
particularly unattractive in this movie. For example, Emily Watson,
who plays Norman's sister and Beatrix's friend.
A wonderful film for girls of about 9-13 and a
good rental for a rainy afternoon with a pot of tea, some biscuits and
crumpets.
Author- Irma, posted 1/20/06
Mr. Bean's Holiday"
If you are the type who convulses with
laughter watching Rowan Atkinson's facial distortions and physical
contortions, then "Mr. Bean's Holiday" is for you. Otherwise avoid it like
the plague.
The biggest
mystery surrounding this 80 minute endurance test is why Willem Defoe
would agree to be in it. He must really be hurting for a paycheck.
The
attempts at humor are so lowbrow they barely leave the ground. In all
fairness, I did snicker at the French restaurant scene, which involved a
cameo by a French acting legend, Jean Rochefort. I guess he needed the
money as well.
Author- 30 second critic, posted 9/1/07
"Mr. Warmth- The Don Rickles Project"
Director John Landis has created a
loving portrait of a man who has made his living insulting people. This
documentary explores the life and times of 81 year old comedian, Don
Rickles.
Using a recent performance as his
bookends, Landis fills the film with hilarious celebrity interviews and
archival footage from Mr. Rickles long career. Not only does it present
rare insight into the head and heart of Mr. Rickles but it also serves
as a time capsule for the evolution of Hollywood and Las Vegas
entertainment from the 50's through now.
There are some
amazing segments with Frank Sinatra, Johnny Carson, Dean Martin and many
other comics and personalities from a bygone era. And through it all,
not only has Mr. Rickles survived but has continues to thrive on stages
throughout the world.
At the Q & A
after the film, Mr. Landis introduced Mr. Rickles to a standing ovation.
His first comment- "Get the names of the people who didn't stand up".
Mr. Landis also promised the DVD would be filled with a second disc of
interviews and clips that didn't make the final cut. "Mr. Warmth" will
debut on HBO in December.
Author- 30 Second Critic, posted 10/15/07
N
"The Namesake"
A thoughtful and emotional
drama that explores one's place in family and society. When the Ganguli
family moves to America from India, their American born son, Gogol, rebels
against his traditional values and drifts further and further away from
his family. He changes his lifestyle, his name, and integrates himself
into the life of his girl friend's family.
Events occur that force
Gogol to re-evaluate his life and the story is propelled on a journey of
self discovery. The film moves at a leisurely pace beginning with the
arranged marriage of Gogol's parents and moves through the years with much
attention to detail.
We are exposed to
much Indian culture as the film divides it's time between India and the
U.S. but the story, at it's heart, is a universal one. Each generation
must discover their own identity and yet, maintain the traditions and
values that help shape the individual they are to become.
Kal Penn, a
long way from "Harold and Kumar Go To White Castle", stars as Gogol with a
terrific multi-layered performance. Irrfan khan and Tabu play his parents
and both are excellent. The entire cast does a wonderful job bringing all
the characters to life. Directed by Mira Nair, "The Namesake" is a richly
woven fabric that will appeal to an audience looking for a film with depth
and feeling.
Author-30 Second Critic, posted 4/8/07
"Nancy Drew"
Emma Roberts is one spunky teenage detective,
in this modern, movie version of the well known series of books. The
film is perfect for 12 year old girls. It's got mystery, action, comic
relief, and PG romance.
For anyone else, I would
say, skip it unless you have said daughter or a tweener niece.
Author- 30 second critic, posted 6/24/07
"Night At The Museum"
Great Special effects and an
original story make this a really fun film. It takes a minute to get
rolling but once Ben Stiller accepts the job as a night watchman at the
Museum of Natural History, the film shifts into overdrive. Plenty of
mayhem ensues when everything at the Museum comes to life at night, thanks
to a magic Egyptian charm. The clever screenplay mixes slapstick, family
values, history lessons, and an unlikely love story into basically a two
hour commercial for the Museum of Natural History.
The
casting is excellent. Ben Stiller is a master at controlled chaos and
Robin Williams is a restrained but perfect Teddy Roosevelt. Owen Wilson
and Steve Coogan are great fun as a feuding cowboy and Roman general.
And for the adults in the audience, it's good to see Mickey Rooney, Dick
Van Dyke and Bill Cobb still haven't lost their touch.
Having been to the real museum many times, you can easily imagine many
of the exhibits coming to life. There may be some concern that the film
would scare children from visiting the museum but even the few scary
moments are quickly played for laughs, particularly initial moments with
the T-Rex and The Mummy. Actually, I believe by the film's end, people
will be encouraged to visit the museum and that's a good thing as it's a
wonderful institution. For any family, this is a enjoyable "night" out.
Author- 30 Second critic. posted 12/22/06
"No Country For Old Men"
This amazing
crime drama joins the ranks of Joel and Ethan Coen's best work. The
film works on so many levels, I don't know where to begin. A story of
greed and violence with no easy answers, the film is a marvel from
start to finish.
Javier Bardem
plays one of the all time great screen villains. You have simply never
seen anything like Anton Chigurh. He is The Terminator in flesh and
blood. Josh Brolin (getting better in every film) plays Llewelyn Moss,
a simple man who discovers a satchel of cash and sets in motion a
series of terrible events. Tommy Lee Jones is absolutely perfect as
sheriff Ed Tom Bell, a man weary of the modern world, still trying to
do the right thing. Kelly MacDonald plays Moss's wife, Carla Jean who
is smarter than she looks. And rounding out the principal cast is
Woody Harrelson as Carson Wells, a wild card in this deck of violent
cat and mouse.
The cinematography of Roger Deakins
is breathtaking. The color palate of the Texas plains to the stark and
seedy small town motels is remarkable. The sparse dialog rolls
off the actor's tongues like poetry. Tommy Lee Jones, in particular,
has so much quotable dialog, I need to see it again and take
notes. Working from the novel by Cormac McCarthy, the Coen Brothers
wrote the screenplay and capture the detail and soul of the novel,
while bringing the violence to the forefront. Be warned, there
is no shortage of blood in a Coen Brothers film.
Without a doubt, one of this year's best films. By the way, if you've
been paying attention, any questions raised at the end will have been
answered.
Author- 30 Second Critic, posted 11/21/07
"Notes On A Scandal"
What a great way to start off my
movie going experience of 2007. Judi Dench & Cate Blanchette,
always amazing and fantastic, give tour de force performances in this
adaptation of Zoe Heller's book, What Was She Thinking; Notes on a
Scandal. The book was wonderful and well worth the read.
The movie does the book justice, although Judi Dench's character,
Barbara comes off more evil and sadistic. I think because you
can see it in her eyes, where as in the book, which is told from
Barbara's pov, there's more sympathy and understanding.
The story is of 2 teachers,
Barbara, a veteran of St. Georges Comprehensive and the new art
teacher, Sheba Hart, played by Cate Blanchette. Sheba Hart is
full of hope in teaching these inner London youths about art, Barbara
knows that teaching is about survival, discipline and getting through
the day without being taken over by the students. After Barbara
rescues Sheba from a fight between two boys, Sheba returns the favor
by becoming her friend. She invites Barbara to dinner and
creates a relationship that soon sours. Barbara becomes quite
jealous and wants Sheba to herself. When she discovers Sheba
having an affair with one of the students, she blackmails Sheba into a
closer relationship.
The acting is incredible and will
bring Oscar noms to both. Bill Nighy is really good as Sheba's
older husband. As I said, in the book, there's sympathy for
Barbara, but here, there's pity and fear. They both look perfect
for the role as well. The only negative is Phillip Glass' score
which is screechy, jarring and way too obtrusive.
Author- Irma, posted 1/5/06
"Notes On A Scandal"
Judi Dench and Cate
Blanchett give a master class in acting as they go head to head in
this intimate little drama of secrets, desires, and
their consequences.
Dame Dench is a single
teacher at a middle school in England who is befriended by Ms.
Blanchett when she comes to teach at the same school. When Dench
discovers an ugly secret about Blanchett ( an unfortunate subject
happening more now than ever), rather than tell, she decides to use
the information to further her relationship with the younger teacher
for her own purpose. Ms. Blanchett becomes trapped between her family,
her secret, and the older woman's increasing intrusion into her life.
There are amazing
moments between the two women as their forced relationship continues
to build and finally boil over. Dench, who narrates the film, speaks
volumes with just a look and Blanchett's growing anxiety is painfully
real. Bill Nighy plays Ms. Blanchett's husband and more than holds his
own in the company of these two wonderful actresses.
It's a smart
script and wonderful acting. To reveal more would be scandalous.
Author- 30 Second Critic, posted 1/6/06
O
"Once"
A tiny, little film that's pretty amazing.
Its called "Once" and honestly,
its just a slice of life film set in Ireland about a guitar playing
busker who meets a girl, they end up recording an album and well, you
just got to see this film. The music is really good, apparently
actor & actress wrote and sang the songs in the film, the story is
simple and its some of the best 89 minutes you'll spend this year in a
movie theater. Its been getting the best reviews of any movie
released this year.
Just go and find this movie and I promise
you'll come out the better for it. You'll be looking for the
soundtrack as you leave the theater.
Author- Irma, posted 6/10/07
"Once"
An Indy film in the truest sense of
the word, "Once" features non-actors in a simple but effective story
filmed on a shoestring budget. Starring Glen Hansard (lead singer of
The Frames) and Marketa Irglova as struggling musicians carving out
a life on the streets of Dublin, "Once" doesn't compromise for a
Hollywood audience.
As a relationship
develops between the two leads, the music they produce propels the
story. At times the film feels like one long music video, but
overall, it's vibrant and charming. A number of scenes are very
effective and Mr. Hansard and Ms. Irglova are honest and true to
their characters.
Music is integral to the story and
many of the songs are heard repeatedly throughout the film with
varying arrangements. You will probably find yourself seeking out
the soundtrack after you've left the theater. "Once" is a little
film with a big heart.
Author- 30 Second Critic, posted
6/16/07
"The Orphanage"
Goosebumps. You want a ghost story to give you Goosebumps. "The
Orphanage" delivers them big time. In an era when "horror" movies
are nothing more than torture porn or gory remakes, a film finally
reminds us of how to be truly frightened at the movies.
Produced by Guillermo Del Toro, many are calling it this year's
"Pan's Labyrinth". Nothing could be further from the truth. That's a
marketing ploy that is unnecessary. "The Orphanage" is closer to Del
Toro's film, "The Devil's Backbone" or another Spanish ghost story,
"The Others". It scares you with atmosphere, implication and
anticipation, rather than cheap shocks and gore. Although there is
at least one "jump out of your seat" moment that was unnecessary but
scary just the same.
The film stars Belen Rueda as
Laura, an orphan herself who is adopted in the prologue and then
returns to her orphanage 30 years later with her husband and young
son, Simon. It is their intention to renovate the place and make it
a home for special children.
To say anymore would be spoiling the experience but know that Ms.
Rueda gives a tour de force performance as a woman unraveling when
the past, literally, comes back to haunt her.
Author- 30 second critic, posted
12/29/07
"OSS 117: Nest of Spies"
A French comedy that has been on the Indie
circuit for a while now, OSS is a very funny satire of early '60 spy
films. The film takes place in 1955 Cairo but has a look and feel of
Sean Connery era James Bond meets Maxwell Smart by way of Napoleon
Solo. If you aren't familiar with these names, this isn't the film
for you.
A suave yet bumbling secret agent, OSS 117
manages to do everything wrong but come out on top. Much of the
comedy is based on the history of the times but even if you have no
idea of 1955 Egyptian politics, there is still plenty to laugh at.
Jean Dujardin stars as 117 and he is
terrific in the role. The cinematography and direction gets the look
and feel of the film just right. I hope this is the start of a
franchise. If you miss it in a theater, catch it on DVD.
Author- 30 second critic, posted 5/27/08
P
"The Painted Veil"
A worthwhile holdover from the holiday film season, "The Painted Veil" is the
second filmed version of the novel by W. Somerset Maugham. The first was a 1934
version starring Greta Garbo as Kitty Fane and now we have the modern version
starring Naomi Watts as Kitty and Edward Norton as her husband, Dr. Walter Fane.
I'm sure Garbo was terrific and I might just seek out the original version now
for a comparison. But for now, I can report that Watts and Norton are just
terrific together.
The story takes place in 1925. Norton is a infectious disease doctor
living in China. He quickly meets and marries Watts, a society girl in
London looking to escape her family life and brings her back to live with
him in Shanghai. When an outbreak of cholera is reported in a remote
Chinese village, Norton volunteers to go help the locals.
The story follows a journey of discovery for these two souls and the
chemistry between them is wonderful. Ms. Watts has the more difficult role
as her character moves through various life changing experiences but Mr.
Norton, excellent as always, completely inhabits his character and plays
beautifully against her. Liv Schreiber, Toby Jones, and Diana Rigg
co-star.
The exotic setting, with it's
beautiful rivers and mountains, danger of cholera exposure, tension
between the British and Chinese, along with fine acting by the entire
cast, keep you absorbed throughout the film. It is a terrific adult drama
that is a refreshing alternative to "Norbert" and "Hannibal" and the rest
of the Hollywood winter waste out there.
Author- 30 Second Critic, posted 2/10/07
"Pan's Labyrinth"
The latest film
from director Guillermo del Toro is a masterpiece. A blend of fantasy
mixed with harsh reality creates a perfect film experience. The acting is
excellent, the visuals amazing, and the story, original and totally
captivating. Traditionally, I don't publish my yearly Top 10 list until
January 1st but right now, this is the film to beat.
The year is
1944 and the civil war in Spain has just ended. A remote army outpost in
the forest, run by a sadistic Army captain, is the setting for the story.
The Captain's pregnant wife arrives with her daughter Ofelia (from a
previous marriage) to live with him while she brings her pregnancy to
term. Ofelia's real father has died and she doesn't look forward to her
new life until she discovers, what she believes to be a fairy, and an old
Labyrinth behind the building where they live.
The
captain spends his days searching the forest for lingering rebels still
fighting the war. Ofelia spends her days in a fantasy world of fauns and
fairies. The magic of del Toro's story lies in the blending of the two
worlds. Has Ofelia discovered a different existence within the
labyrinth or is it her own creation to escape her dark reality?
The art direction and cinematography are stunning. The fantasy sequences
are beautiful as well as frightening. The Captain's actions against
the rebels are brutal and violent. This fairy tale of a film is not meant
for children. The film is in Spanish with English subtitles but much of
the story is visual and words aren't even necessary. This is a film not to
be missed. It's simply remarkable. And if you do enjoy it (as I hope you
will), rent del Toro's earlier work, "The Devil's Backbone", an excellent
film as well which explores similar themes.
Author- 30 second critic, posted 12/29/06
"Pan's Labyrinth"
WOW - what an amazing, incredibly creative and
visually stunning film from Mexican director, Guillermo del Toro.
Set in Spain in 1944, a young girl copes with the aftermath of the civil
war and fascism by creating a fantasy world with fairies, fauns and
daunting tasks to accomplish.
The little girl, played by Ivana Baquero, and
her mother, who has married a captain of Franco's army and is pregnant, go
to live with him near the woods where the rebels are hiding. There
she finds a labryinth and magical, mystical places to play. She
encounters a faun who tells her she is the lost princess of the underworld
and must take on 3 tasks before she can live there and see her father
again. Meanwhile, the captain her mother married is a dictatorial man in
charge of flushing out the rebels who makes Amon Goeth of Schindler's List
look like a piker.
This is a firm R-rated movie, despite the fairy
tell base, the violence is graphic and definitely not for the squeamish.
BUT the story is well done, the cinematography is beautiful, the acting is
great, especially by Ivana Baquero and this is well worth seeing.
This should be the Best Foreign Picture Winner, bar none.
Author- Irma, posted 1/20/06
"Paul Blart: Mall Cop"
With an opening at #1 for the week, you know
it must be January. "Blart" scored based on the popularity of comedian
Kevin James in the starring role. Mr. James is a funny physical comedian
and the slapstick will appeal to kids but for adults, "Blart" has little
to offer. This is usually the case with January openings.
The script is not bad but the direction is
flat and much of the material misses the mark. The first half of the film
is spent much too long establishing the fact that Blart is a overweight,
lovable loser and only comes barely to life when his beloved mall is
threatened by a robbery.
Skip this one unless the kids are
restless and catch up on some of December's quality films you may have
missed.
Author- 30 second critic, posted 01/24/09
"Pineapple Express"
Seth Rogan and James Franco star in the
first of it's kind stoner/action movie. Cheech and Chong made a career out
of stoner movies but Mr. Rogan and Mr. Franco take it to another level.
This is a very silly but funny film about
male bonding and smoking lots of dope. There is actually one positive
anti-drug message in the film, when Mr. Rogan points out they can't get
anything done because they are always stoned. The action is fast and
cartoonish but the growing relationship between the two men is genuine and
it is quite sentimental. Danny McBride co-stars as Red, the resilient
middleman who almost steals the film. Also appearing are Rosie Perez and
Gary Cole as the cartoonish villains.
Mr. Franco is the one who actually steals
the film. His portrayal of Saul, the kind hearted drug dealer is terrific.
He shows a new side as a comic actor and when he's in the spotlight , the
film really shines.
Much of the dialog seems improvised and
everyone seems to be having a terrific time. It's not the funniest comedy
of the summer but it's worth the time if you are looking for something
light and silly. Be warned though, there is a fair amount of gunplay and
violence especially in the second half of the film.
Author- 30 second critic, posted 8/19/08
"The Prestige"
Without revealing any secrets, the basic
plot is simple enough. Due to a tragic act, two friendly
magicians-in-training become bitter enemies over the years, each trying to
outperform the other causing nothing but further tragedy.
Oh
how I wanted to love this film and oh, what a disappointment. Christopher
Nolan has worked magic in the past with "Memento" and "Batman Returns".
This time, with magic as the literal subject matter, his tricks fail to
impress. The "pledge" of the trailer sets up a promising "turn" but the
final act or as it's known to magicians, the "Prestige" rests on two
faulty elements. One is obvious very early in the film and the other is
completely ridiculous.
What does
work here is the very capable performance of Christian Bale. This man is
incapable of a bad performance. From his very first performance in "Empire
of The Sun" (very underrated Spielberg), Bale has delivered over and over
again with every film. Hugh Jackman plays the rival magician with his
usual dashing aplomb. Michael Caine plays his "Alfred" role from "Batman
Returns" and once again, Scarlett Johansson lends herself as eye candy in
an otherwise minor role as the assistant with vacillating loyalty. There
is a worthwhile cameo by David Bowie, who makes a wonderful entrance.
There have been some comparisons between this film and "The Illusionist".
While both are period films about magicians, the stories are really quite
different and frankly, "The Illusionist" pulls the rabbit out of the
proverbial hat. "The Prestige" is left just holding the hat.
Author- 30 Second Critic, posted 11/2/06
"Prince Caspian"
I should have written the review for this movie the
moment I came home, because now, 2 weeks later, I can barely remember
having seen this, much less the plotline, action sequences and actors.
I wasn’t too impressed with the first one but I’m a sucker for a gotta
go see blockbuster trailer and the reviewers said it was much darker
than the first. I liked that when the HPotter movies went dark, so I
thought ok…Well, it was darker alright, mainly because a lot of the
action that took place in the castle and at night was so poorly lit.
The movie seemed to consist of 2 battles and a whole lot of exposition
on why it was necessary for the Pensieve children to come back to Narnia.
Aslan makes his christ-like appearance near the end and the one
entertaining thing from the last film, Tilda Swinton as the White Witch
has only a 5 minute scene. This was easily forgettable (obviously) and
really not necessary to see in a theater. If your children were fans of
the first, wait til it comes out on DVD, or if it’s a really hot humid
summer afternoon, then take them to the $1 movies where it’s sure to be
within a few weeks.
Author-Irma, posted 5/26/08
"Pirates of The Caribbean 3: At World's End"
Did you hear about the new Pirate
movie? It's rated....AAARGGGH
Bloated doesn't begin to describe
this almost 3 hour soulless spectacle. The few action sequences
scattered throughout the convoluted plot are overdone and seemingly go
on forever. I wish the film editor had walked the plank. Most of this
mess is just confusing dialog with double and tripe crosses that
ultimately go nowhere.
Johnny Depp's "Jack Sparrow" is
little more than a cameo in this story and all his charm from the other
films has been reduced to ham in this one. The last few minutes of the
film belong to Depp as if someone remembered he was the central
character. Orlando Bloom and Keira Knightly have lost all their
chemistry and Knightly has become outright annoying.Chow Yun-Fat is
wasted as a Chinese pirate with very little to do and little time to do
it.The best acting in the film belongs to Bill Nighy as "Davy Jones" and
Geoffrey Rush as "Captain Barbossa". Nighy manages to convey a great
deal of emotion under many layers of octopus makeup and Rush looks like
he's actually having fun.
More is not necessarily better
and there was probably an excellent 90 minute movie buried in this mess.
On a positive note, the visuals are excellent and look great on a big
screen but if you can wait for the DVD, do yourself a favor so you can
watch it with your finger on the fast forward button.
Author- 30 Second Critic, posted 5/30/07
"Private Fears in Public Places"
A deserving entry at the 44th
New York Film Festival. This new French drama is a collaborative effort
from director Alain Resnais and playwright Alan Ayckbourn. Using the
device of six degrees of separation, the various characters form a link of
loneliness in a snowbound Paris. It takes a moment to absorb the rhythm of
the film but if you do, you are rewarded with a rich character study of
six people filled with longing and looking for the human connection.
The winter snow that
falls throughout the film (and frames each scene) hangs over the story
like a curtain of sadness as the six souls float through the uncertainty
of their lives.
Andre Dussolier is
wonderful as the real estate agent inadvertently charmed by his assistant.
The mixture of sadness and humor in his performance is wonderful. The rest
of the cast, including Lambert Wilson and Isabelle Carre, all perform a
delicate balance of emotion defining their characters.
"Private Fears" avoids wrapping things up
neatly in a bow but that adds a sense of reality to almost magical
connection of these lost souls.
Author- 30 Second Critic, posted 10/8/06
"The Pursuit of Happyness"
Inspired by Chris Gardner's true story, this film is perfect for the
holidays.
Chris Gardner was a smart man dealt a tough hand. Struggling to make
ends meet with only a high school degree, he hustles everyday for his
family. After his wife (played by an effective Thandie Newton) has had
enough and leaves, it is up to Chris to keep it together for him and
his 5 year old son.
Will Smith
is outstanding as Gardner. He is certain to pick up an Academy Award
nomination for his work here. Not one minute of his performance rings
false. You feel his pain, frustration and exhaustion in every frame.
Smith's film son is portrayed by his real life son, Jaden Smith, and he
does a fine job holding his own against his dad. I don't think he's
quite ready for his acceptance speech yet but if he wants to follow in
his dad's footsteps, he's got a future.
Credit the screen writer and director (as well as Smith) for a
story that stays honest and never gets too sappy. It's a dog eat dog
world and you have to credit Gardner's resolve to stay in step with the
pack. Smith's performance and this story are both an inspiration.
Author- 30 Second Critic, posted 12/16/06
Q
"Quantum of Solace"
After a terrific debut as James Bond in "Casino Royale", Daniel
Craig is shaken, not stirred into a mess of follow-up. "Quantum" has one
of the worst Bond plots ever (if you can even call it a plot). It is
basically one long action sequence after another in order to distract the
audience from realizing how ridiculous the whole thing really is.
Daniel Craig tries his best to live up to what he started in the
previous film but there is only so much he can do when everything is
literally falling apart around him. He makes a dashing Bond and certainly
one of the best but he's never given a chance to develop the character
beyond a human killing machine. Mathieu Almaric plays one of the lamest
Bond villains in history. He should stick to what he does best, serious
drama and eye blinking. Olga Kurylenko is the Bond "it" girl and while
beautiful, can't decide if she is a damsel in distress or an action
heroine. Judi Dench is back as M and has her usually fun with the role.
And Jeffrey Wright also returns as Felix Leiter, with basically nothing to
do except give Bond an address.
The action scenes are passable but by the numbers. You can
almost hear the writers..."Boat chase, check. Car chase, check. Foot
chase, check. Airplane chase, check." Aside from a beautiful world tour,
this is a bloated soulless Bond film. At the end of the credits, we are
promised, "James Bond will return". He better be carrying a better script
when he does.
"The Queen"
"The Queen"
takes us inside the royal family just after the death of Princess Diana in
1997. As an American, it is fascinating to watch the the machinations of
the British government during this time of public shock and grief.
The exchanges between the newly elected Prime Minister, Tony Blair, and
her royal highness are absolutely priceless. There is quite a bit of
humorous dialogue which I perceived to be unintentional and only funny as
an outsider looking in.
During the week between the accident and Diana's funeral, the royal family
opts to remain private and retreat to their country estate. The British
public, who obviously worshipped Diana as a public figure, resent the
actions taken by the royal family and public opinion begins to plummet for
the monarchy. Tony Blair recognizes the importance of a public show
of grieving to unite the country and does his best to gently persuade The
Queen to change her mind.
As The Queen, Helen Mirren is simply brilliant. One can only imagine what
it's like inside the royal family and Ms. Mirren acts like she's lived the
part her entire life. Every line and every look come so naturally to
her, you forget she is acting. She will be very hard to beat come Oscar
time. As Tony Blair, Michael Sheen is up to the challenge of verbally
sparring with Ms. Mirren. The very reliable James Cromwell plays Prince
Phillip and Alex Jennings portrays a spot-on Prince Charles.
The story is cut with actual footage from the period which only serves to
create an air of authenticity to the entire film. One would think the
screenwriter, Peter Morgan, was a fly on the wall during that tragic week.
It is easy to dismiss The Queen as the villain and Tony Blair the hero of
the story but as the film unfolds, things are not so clearly defined and a
key line by Ms. Mirren towards the end of the film puts everything in
perspective. Whether or not it's all accurate, "The Queen" is fascinating
look into a world most of us never see.
Author- 30 Second critic, posted 11/04/06
R
"Rachel Getting Married"
Ann Hathaway plays against type in the new film
from Jonathan Demme. She plays Kim, just out of rehab and returning to her
family's home for her sister Rachel's wedding. Last year Noah Baumbach gave
us the similarly theme, "Margot At The Wedding" with Nicole Kidman. "Rachel"
is the more realistic and emotional charged film.
Ms. Hathaway reaches into her dark
places and pulls out a terrific performance as Kim. Newly sober and loaded
with emotional baggage, Kim bursts into the wedding weekend like a bolt of
lightning, striking down everything in her path. This is a intense family
drama filled with both anger and happiness.
The film co-stars Bill Irwin and
Deborah Winger as Kim's divorced parents. Mr. Irwin is excellent as the
father overly protective of his damaged daughter while at the same
time, trying to celebrate his other daughter's big day. Ms. Winger is a
welcome return to the screen and makes the most of her few scenes,
especially during a raw confrontation with Kim. Rosemarie DeWitt plays
Rachel, torn between an love/hate relationship with her sister, which
casts a cloud over her wedding plans.
Mr. Demme's direction brings out
the best in Ms. Hathaway, struggling with her family and her inner demons.
She carries the film and it's her performance you'll remember most.
Author- 30 second critic, posted 10/19/08
"The Reader"
An intense human drama capped by an
excellent performance by Kate Winslet. "The Reader" starts as an affair
between a young man and older woman that affects them both for the rest of
their lives.
The young man is played by David Kross and
his older version played by Ralph Fiennes. Both are very well cast. Mr.
Fiennes is particularly good as the elder Michael Berg, tortured by
actions of the past. As good as the two men are, the film really belongs
to Ms. Winslet. She plays Hanna Schmitz with restrained emotion, holding
on to secrets of her own.
The film takes unexpected twists and turns
with intricate results. It is a film that is sure to spark conversation
and debate when it ends. A fascinating story that will definitely stay
with you.
Author-30 second critic, posted 12/31/08
"Redbelt"
The latest film from writer/director David Mamet
has him returning the to world he loves best...doubling dealing and the
art of the con, this time set in the world of Martial Arts. I believe I
read somewhere that Mr. Mamet practices Martial Arts and so it was only a
matter of time, he explored that world in one of his films.
Chiwetel Ejiofor stars as Mike Terry, A Jiu-Jitsu
instructor who is struggling to keep his school up and running. An
accident on a rainy night puts in motion a series of events that alter his
life drastically, forcing him to compete for the first time in his life.
While the background is Martial Arts, the real
story is typical "Mamet". An innocent finds himself thrust into a wolf's
den of con artists, double crossers, and everyone on the make for
something. The supporting cast features many of Mr. Mamet's regulars
including Ricky Jay, Joe Mantenga, David Paymer, J.J. Johnston, and of
course his wife, Rebbeca Pidgeon. The film also stars Emily Mortimer, Tim
Allen, and Alice Braga. It's a great cast doing what they do best,
interpreting Mamet's rhythms and dialog.
"Despite a rather abrupt ending (that does
manage to satisfy to some degree), the film didn't get it's just due for a
theatrical run and will probably be out on DVD soon. If you are a Mamet
fan, don't miss it.
author-30 second critic, posted 5/29/08
"Red Road"
Another new film from the New Directors/New Films festival at Lincoln
Center, "Red Road" centers on the particular path chosen by a lonely woman
who works for the Glasgow Scotland, "City Eye" agency. Apparently Glasgow
has surveillance cameras set up all over the city and "City Eye" monitors
activity 24 hours a day.
When "Jackie", played by Kate Dickie glimpses a man from her past during
her surveillance shift, it sets in motion a life changing series of
events. To reveal more would spoil a terrific 3rd act when many answers
come in unexpected ways.
The film is very slow to start. It's a deliberate act by the director to
pull you into the boredom of Jackie's world. As the film progresses, the
pace quickens and leads to a highly emotional payoff. This is a story of
grief, forgiveness, redemption, and renewal. Kate Dickie is excellent as
"Jackie", a woman longing for a closure buried deep inside her. Martin
Compston, who showed promise in "a Guide to Recognizing Your Saints", is
volatile as "Stevie" and Tony Curran is terrific as "Clyde", a man with a
terrible past trying to start again.
The strong Scottish accents are supported by subtitles for an American
audience. No release date here is set.
Author- 30 Second Critc, posted 3/27/07
"Rescue Dawn"
Werner
Herzog's most commercial film to date is a drama inspired by true events.
This is the story of Dieter Dengler, a German American pilot shot down in
Laos in the early stages of the Vietnam War.
Christian Bale is
simply remarkable in the role of Dengler. His dedication to his craft
knows no bounds. The hardships he endures are horrible and heartbreaking.
Suffering with him as fellow prisoners of war are Jeremy Davies and Steve
Zahn. Mr. Zahn, in particular, is outstanding in a role very different
from his usual movie characters.
The story is riveting and will have you
on the edge of your seat. Unfortunately, for whatever reason, it has not
lasted long at theaters and may be hard to find. If you miss it on the big
screen, make it a must rental on DVD.
The
upbeat ending seems tacked on and a little rushed but otherwise, Mr.
Herzog has written and directed an inspiring tale of survival and the
human spirit.
Author- 30 Second Critic, posted 8/26/07
"Revolutionary Road"
Sam Mendes directs his wife, Kate
Winslet and Leo DiCaprio in this suburban period piece. Reunited
after starring together in "Titanic", this serious exploration of a
marriage cracking at the seems, couldn't be more different than that
box office titan.
The direction is excellent and the cinematography
beautiful. The acting is what you'd expect from Mr. DiCaprio and Ms.
Winslet. They both give their best to inhabit these characters. Ms.
Winslet, in particular, is simply amazing and I'm convinced can do
anything at this point in her career. Michael Shannon in a minor role
does outstanding work in his scenes and helps bring out DiCaprio's
best.What bothers me about the film is the script. Frankly, watching
these two unlikeable characters come apart is boring. They have two
children who we barely see and for all their scenes together, only a
few really crackle with energy.
The TV show "Madmen" captures the same period and
characters better than this film. The complicated marriages in Madmen
has much more depth of it's characters and their relationships. Save
"Revolutionary Road" for DVD and be glad "Madmen" has been renewed for
another season.
author-30 second critic, posted
01/11/09
"Righteous Kill"
Robert DeNiro and Al Pacino together for
an entire film....Critic proof! And a good thing too because this is
more ill than kill.
The pairing of these two screen icons
is too good to pass up but someone should have thought about a plot
worthy of acting legends, rather the the ridiculous, implausible,
obvious bore that is "Righteous Kill". The film creeps along with both
actors mugging their way through a serial killer plot filled with simply
laughable dialog.
Along for the ride is Carla Gugino
as a NY CSI, Brian Dennehy as the tough talking police Lieutenant and
Donnie Wahlberg and John Leguizamo as fellow detectives following cops
DeNiro and Pacino on the same case. Also in a key role is rapper 50 Cent
playing a drug dealing club owner...big stretch there, Fitty.
The fast forward plot device points
to one person responsible for all the murders but if you are still awake
and paying attention, the identity of the killer should be pretty
obvious anyway.
I expected more from the writer of
"Inside Man", Spike Lee's excellent bank heist film from last year and
obviously more from Mr. DeNiro and Mr. Pacino but this one is all about
a paycheck. If you are a fan (and who isn't), save time and money and
rent it later this year on DVD.
Author- 30 second critic, posted 9/12/08
"Rocky Balboa"
An unexpected knockout of a movie.
I went into this not expecting much and was pleasantly surprised at the
solid script and acting. Sylvester Stallone sends Rocky out on a high note
compared to the punch drunk last few Rocky films.
There is plenty of schmaltz
in "Rocky Balboa" but Stallone finds a great balance between the nostalgia
of Rocky's past and a contemporary storyline that actually works. The film
is very well cast with Burt Young returning as Paulie to provide sage
advice and comic relief and Geraldine Hughes as a possible new romance for
Rocky. Her character, Marie, is a nice touch having been introduced way
back in the first Rocky film. The film also co-stars Milo Ventimiglia as
Rocky's grown son and Antonio Tarver as his new opponent, Mason Dixon.
The story works because
Stallone keeps it simple and fairly realistic. He takes the characters
back to their roots and though there may be some unintentional laughs, you
really start to believe in these characters again and care about their
outcome.
Adrian would be
so proud.
Author-30 second critic, posted 12/30/06
"The Ruins"
I really Enjoyed Scott Smith's "A Simple Plan",
both the book and the film adaptation.
This lead me to read his second book, "The
Ruins". A quick read that was disappointing after such a great debut.
Having read the book though, I finally decided to check out the Hollywood
version.
The film follows the book pretty
faithfully with a few minor changes. The biggest difference is the lack of
any character development in the film. Therefore, you couldn't care less
when bad things start happening to good people. The horror here turns out
to be a pretty silly thing but the film does manage some suspense along
the way.
The acting is minimal and the biggest
name in the cast is Jenna Malone, who usually does a great job in Indie
films. The story starts out with a decent premise but what eventually
happens is never explained. Hollywood also tinkers with the ending.
Be warned, there are some gruesome
scenes. One character has their legs amputated under less than ideal
conditions and another character goes mad and mutilates their own body.
A good idea...ruined.
Author- 30 second critic, posted 4/18/08
"Running With Scissors"
Despite the pedigree cast and
terrific acting, "Scissors" doesn't cut it. The film is based on the true
memoirs of Augusten Burroughs. Burrough's book was apparently very popular
but having not read it, I was drawn to the film by the cast and not the
story. Luckily the acting rises above the plot and keeps you interested.
As a
teen, Augusten is sent to live with his mother's shrink and his family.
Having difficulty enough adjusting to his parent's divorce and his metal
unstable mother, Augusten must now reside with the family that puts the D
in dysfunctional. The Finch family is played by Brian Cox, as Dr. Finch,
Jill Clayburgh as his wife, and Gwyneth Paltrow and Evan Rachel Wood as
their daughters. While all do an outstanding job, Jill Clayburgh is just
wonderful as the long suffering repressed wife and mother. She deserves an
best supporting actress nomination at Oscar time.
All of
these characters are damaged goods. Repressed, depressed, confused and
somewhat psychotic, it is not a happy picture. If not for the acting,
watching these characters for two hours would just be painful. But the
saving grace of them all is Annette Bening as Deirdre Burroughs, a leading
role with Oscar nomination written all over it. Ms. Bening is just
wonderful in a difficult role as a mother with delusions of
grandeur coupled with intense mental anguish. Joseph Cross plays Augusten
and holds his own among all these top notch actors. His scenes with Bening
are heartbreaking and true. Alex Baldwin plays the small but important
role of Augusten's father, downplaying his usual bombastic character and
showing some real depth.
This
one gets an A for acting but a D for a depressing story.
Author-30 second critic, posted 11/16/06
S
"Salty Air"
From the New Directors/New Films series
at Lincoln Center comes this emotional debut feature by Alessandro
Angelini. When a social worker in an Italian prison begins to suspect a
newly transferred prisoner may be his father, whom he hasn't seen for 20
years, guilt, grief, and redemption collide as a family's old wounds
reopen.
The acting is terrific especially by
Giorgio Colangeli as Sparti, the convict forced to confront his past.
Directed with authority by Mr. Angelini, "Salty Air" packs an
emotional punch that will stay with you long after you leave the theater.
In Italian, with no set American release date as yet.
Author- 30 second critic, posted 03/25/07
"The Savages"
Philip
Seymour Hoffman and Laura Linney return to their Indy roots in this
intimate film about a brother and sister dealing with her father's
failing health.
The film is a cross between the 70's comedy "Where's Poppa"
and the drama, "Affliction". A strong screenplay balances the serious
subject matter with moments of unexpected comedy. Mr. Hoffman recently
received a Golden Globe nomination for his work in this film and while
he is excellent as always, the film really belongs to Ms. Linney. Wendy
Savage is the more complex role and Linney gives a wonderful
performance, balancing a very complicated character. Actually stealing
the film out from both of them is the remarkable Phillip Bosco as their
father, slipping into dementia yet revealing a hint of sanity that
refuses to go.
"The Savages" is an offbeat film, not for everyone but a nice
alternative to the holiday blockbusters.
Author- 30 second critic, posted 12/21
The Science of Sleep
Gael Garcia Bernal stars as Stephane, a
young artist who moves back to his mother's house in Paris when he
starts a job at a calendar company. Stephane is a creative artist
who's dreams are more fanciful than his reality and he finds
himself slipping back and forth between them. When he meets his
neighbor Stephanie, he finds a creative kindred soul and so starts
a most unusual romance. Unfortunately, Stephane's creative dream
life wrecks havoc on his waking life and starts to take it's toll
on his sanity.
The film bears some resemblance to director Michael
Gondry's "Eternal Sunshine of The Spotted Mind" (written by
Charlie Kaufman) but "Science" is far more trippier than
"Sunshine". Kaufman's script for "Sunshine" was certainly out of
the ordinary but this time, Gondry really pushes the envelope with
outrageous sets, fanciful art and colorful animation.
Bernal is charming throughout and
does a great job with a complex character. The film is in English
and French with a little Spanish thrown into the mix. It has a
European flavor but an American wackiness about it. It won't be
for everyone but for the more adventurous, it's a fun trip.
Author- 30 Second Critic, posted 9/22/06
"Sex And The City"
I just came in from SATC and it was perfection. If you
are a fan of the show, this is a giant Valentine’s box from Godiva!!! If
you’ve never seen the show, you may enjoy it, it’s a cut above the average
chick flick, much like In Her Shoes. The characters are all there,
there’s a lot of sly references to past shows, the fashion, always a
character in itself, is incredible and eye-popping and then there’s the 5th
girl, THE CITY, NY looking breathtaking. There are funny lines, drama,
tears and the wrap up ending that we didn’t get when the series ended 4
years ago. I enjoyed every minute and can’t wait to see it again. Yes,
you can argue, its implausible and objectifies men (who are cardboard
cutouts) and there’s no way the fashions & apartments could be afforded,
but think of it as a woman’s Iron Man (just as implausible, unaffordable
and with lots of cardboard cutouts of Middle Eastern men!). Definitely
one to see!
Author- Irma, posted 5/31/08
"Sex And The City"
I admit it. I'm in touch with my feminine
side and enjoyed this series very much. The film is a very satisfying
visit with old friends.
Michael Patrick King does a nice job mixing
the various sub-plots of Samantha, Miranda, and Charlotte while still
keeping Carrie in the spotlight. The girls have aged a bit and are all
dealing with various new issues but King doesn't stray too far from the
box and keeps everything very familiar.
The cast wear their characters like their
wardrobe...fabulous, and all your favorite supporting players turn
up...to support. New York still sparkles like the fairytale version
depicted on the TV series.
Half the fun of watching the film in a
theater is listening to the audience reactions during the screening.
Besides the expected laughing and crying, you'll probably hear many
comments you weren't expecting and much of it is unintentionally very
funny.
Author- 30 second critic, posted 6/1/08
"Shrek The Third"
Inevitably by the time you get to
the 3rd film in a series, much of the magic and originality wears off.
The return of Shrek and all the other familiar characters though, is
like visiting old friends and there is certainly still a large amount of
enjoyment to be found in their company.
Donkey
and Puss make a terrific comic duo and the banter between Eddie Murphy
and Antonio Banderas is priceless. Fiona and the other fairy tale women
steal the movie as they give new meaning to girl power. Justin
Timberlake joins the cast as "Artie", a young pre- King Arthur but his
character doesn't really make the impact he should considering the
storyline.
There is plenty of mushy sentiment this
time around, much of which has to do with babies and becoming a good
father and/or king. The sight gags are plenty and the animation
continues to astound but like other "Part 3" films out now, the studios
should give the characters a rest for a while and we'll appreciate them
more for it.
author- 30 second critic, posted 5/28/07
"The Simpson's Movie"
To quote
Homer Simpson, "Why pay to watch something you can see for free on TV?"
Well, for starters, it's 90 minutes of
commercial free classic Simpson humor. Need I say more?
If
you are a fan of the show, it is a must see. A few liberties are taken
with the film that can't be show on TV and for the most part, it's more
of what you already love on a bigger screen. One can argue that the
story could have been better developed for the film. It's full of
elements we've seen before on the show. But the bottom line is that this
show is currently one of the longest running shows on TV and there is
only so much you can add to it's brilliant humor and satire. The writers
do their best to give almost every character, we've encountered through
the years, choice bits of dialog but it's hard to do without making them
seem like throwaway lines. Still, even throwaway lines from The
Simpson's are better than plot points in many other comedies.
If you are not a fan of the show,
don't waste your time. You won't "get it". But if you've ever
laughed at even one episode, make the effort to see the film. It's a lot
of fun.
Author- 30 Second Critic, posted 8/5/07
"Slumdog Millioniare"
A friend recommended this months ago
and then the buzz began to build. I finally got a chance to see it for
myself and the buzz is real. This is one of the best movies of the year.
When an Indian street kid gets a
chance to appear on the Indian TV version of game show, "Who Wants To Be
A Millionaire?", it seems like everyone in India begins to root for him
except the police who think he's cheating. Through flashbacks we learn
how a poor, uneducated boy named Malik manages to make it to the final
question.
This is a suspenseful journey giving
us a glimpse of life on the streets of Mumbai. It is also at it's heart,
a love story between brothers, Salim and Malik and Latika, the true love
of Malik's life. It is a remarkable tale of survival, love and destiny.
Throughout his life, Malik endures
terrible hardships which the camera doesn't hide but the film is
ultimately uplifting and director Danny Boyle does a wonderful job with
his Indian cast.
Don't miss this soaring
achievement.
Author- 30 second critic, posted 12/26/08
"Smokin' Aces"
A few years
back, Joe Carnahan wrote and directed a taut Indy thriller called "Narc"
starring Ray Liotta and Jason Patric. "Smokin' Aces" doesn't even come
close as a follow up.
Starring Jeremy Piven, Ray Liotta, Ryan
Reynolds, Andy Garcia, and Alicia Keys, the film is a bad live action
cartoon. The characters are poorly written and what passes for acting is
a downright shame. Mr. Liotta phones in his FBI agent. Mr. Garcia plays
his role on sleep aids and Jeremy Piven just dissolves deeper and deeper
into a messy drug stupor.
Ms. Keys does an adequate job in her first
role (a strange choice) in a major film. And since his is the best
written character, Mr. Reynolds outshines everyone else in the film. No
wonder Ben Affleck and Matthew Fox have unaccredited cameos. The film is
a mess.
The ending, in particular, is truly terrible. While it's effect is
dramatic, it makes no sense at all and stretches what little credibility
the film has beyond the limit. Another fine example of the junkyard
January has become for movies.
Author- 30 Second Critic, posted 1/31/07
"Spiderman 3"
Well, the bloom is off the rose. If
you have invested the time in the first 2 films, of course you will want
to see how it all turns out but...the magic is gone. The film deserves
an A for action but it also gets a B for bloated.
The seduction of Spiderman to the dark side takes too long to get going
and Venom's appearance is too little and too late, showing up for the
climatic battle (where Mary Jane is menaced by...a taxi cab and a dump
truck...Yikes!! The dialog is sappy and many of the secondary characters
have lost their zip (Jonah Jameson, for one). Toby Macguire's attempts
to be dark and evil are just silly and a scene where he tries to make
Mary Jane jealous with Gwen Stacy is just ridiculous.
The action sequences, however, are terrific and Thomas Hayden
Church steals the film as The Sandman. His CGI is fantastic and in his
human form, his acting is fresh and believable. Too bad, the screenplay
messes with the original facts about the character's backstory and
motivation to suit the plot. Devotees of the comic will be annoyed with
that as well as the introduction of Gwen Stacy as a rival for Peter
Parker's affection. Gwen's backstory is also tweaked to suit the plot
and Bryce Howard is wasted in a poorly written character. Credit
though, must also be given to Topher Grace who adds a breath of
life to the role of Eddie Brock.
We are being teased with the prospect of Spiderman 4 (after all, Doc
Connors has appeared in all 3 films so far and fans know what happens to
him) but this film should make enough money to put the franchise to
rest. Let's see what Robert Downy Jr. can do with next year's "Iron Man"
movie.
Author- 30 Second critic, posted 5/6/07
"The Spirit"
"The Spirit" was created by Will
Eisner, a pioneer in American comics. Artist and writer Frank Miller
brings the character to life in the film version. The film has the look
and feel of Mr. Miller's earlier film, "Sin City" but not the energy.
Comic fans and fans of "Sin City" will
flock to "The Spirit" and probably admire the effort but the problem is
Mr. Miller should have left the direction to someone else. The material
is fun and the visuals unique and exciting but the film drags the thin
plot out like a wet rope. There are some inspired sequences but much of
the film is boring exposition and Mr. Miller would have been better
off again with Robert Rodriquez as director.
Curiously the look of the film is
1940's and yet, people use computers and cell phones. There is also a
Nazi sequence for absolutely no reason. While it's an interesting
script, it does tend to meander in strange directions and that's where a
better director might have tightened the story.
The film stars Gabriel Macht as The
Spirit, Samuel Jackson as his nemesis, The Octopus. Mr. Macht plays the
part as straight as a boy scout while Mr. Jackson is totally over the
top, obviously having fun with the part. Also starring as various
good/bad girls are Eva Mendes, Paz Vega, Sarah Paulson, and Scarlett
Johansson. Jamie King also has a minor role as Lorelei, the angel of
death and is barely recognizable. Louis Lombardi plays multiple clones
of henchmen to The Octopus and Dan Lauria does his best tough cop bit as
Inspector Dolan.
This one is strictly for the fans...
Author- 30 second critic, posted 12/25/08
Stardust"
Stardust is an
wonderfully original film released in this summer of dreadful threequals
(‘cepting Bourne Ultimatum) and horrible multi-million dollar Hollywood
blockbusteresque crap…Reviewers have been comparing it to Princess
Bride, but it is more broader and far reaching in scope than PB. I
was reminded of The Adventures of Baron Munchausen and Time Bandits and
the whimsy of Terry Gilliam. The fact that it is directed by
Matthew Vaughan, a Guy Ritchie protégé, whose last outing was the
ultra-violent English mob film, Layer Cake, was quite the surprise.
Stardust tells the tale
of Tristan, a young lad who lives in Wall, England. He chases
after a falling star into a parallel universe called Stormhold and
becomes embroiled in an adventure concerning 3 various factions.
Michele Pfieffer plays an aging witch that needs the fallen star to
regain her youth, Robert DeNiro plays a pirate that captures lightening
to sell, and there is also the tale of 7 princes all in search of the
ruby that will make one of them king. The story is wild and crazy
and funny, and I didn’t know where it was going to go next (although I
will confess I guessed the ending, but that was part of the fun, seeing
that I was correct).
Peter O’Toole & Rupert
Everett and Mr. Weasley all make cameos and there is an unusual side to
Mr DeNiro’s character that was worth the price of the ticket alone.
It could have been overboard and cringe-worthy, but he played it note
perfect.
Although this is full of
fairy tales, princesses, witches and magic, it definitely earned its
PG-13 rating for the scare factor and violence. And Andrew liked
it very much, so I would think it is both for boys & girls.
Trivia note – Brother
Princes Secundus (Rupert Everett) and Quartus (Julian Rhind-Tutt) played
princely brothers in the Madness of King George…
Author- Irma, posted 8/13/07
"Stranger Than Fiction"
The idea of a person discovering their reality
is not what it seems and confronting their maker about it has been done
before with Jim Carry in "The Truman Show". Call this "The Truman Show
Redeux". Instead of Mr. Carry, we now have Will Ferrell, who discovers he
is a character in the imagination of author Karen Eiffel, played by Emma
Thompson.
The earlier film played for more laughs while exploring questions of one's
existence. "Stranger Than Fiction" forgets the laughs and plays it
straight. This is not necessarily a problem, however, one's expectations
from the trailer and Mr. Ferrell's history suggest you will be laughing
during this film. Mr. Ferrell's attempts at a deadpan dramatic performance
are a disappointment. While I applaud his effort, it's too much of a leap
for him and the audience finds itself forcing laughs at his situation just
because he is Will Ferrell.
The story, moving from the Truman TV reality, places us in the literary
world of Karen Eiffel's new book. A novel about Harold Crick that she
hasn't finished due to a bad case of writer's block. When Harold actually
begins to hear Karen's narration, his mundane world collapses and he is
forced to face his mortality as Karen tries to figure out how to kill her
character. Along for the ride are Maggie Gyllenhaal as a baker who
inexplicably falls for Harold, Dustin Hoffman as a literature professor
helping Harold figure things out and Queen Latifah, who is wasted as
Karen's assistant. She simply isn't given enough to do.
This is a smarter film than you'd expect. The ideas of existence, free
will, and one's fate are entwined throughout the film and the ending finds
a manipulative way to keep from painting the story into a corner. It's
more entertaining than a philosophy class on free will but it's been done
before...and better.
Author- 30 Second Critic, posted 11/13/06
"Stranger Than Fiction"
I am a voracious reader, I delight in going to
the bookstore and finding a new book, especially from an author I really
like. Its like Christmas morning, such a thrill.
I really like movies that celebrate books and
reading, such as the documentary Stone Reader, the great
Charlie Kauffman film Adaptation, the recent Tristram
Shandy; a Cock and Bull Story and others. Stranger than
Fiction, starring Will Ferrell, also lauds the literary life of
writers and books.
The premise is very reminiscent of a Kauffman
film, a straight and narrow IRS agent, Harold Crick, suddenly hears a
voice that is narrating his life. After determining he's not
schizophrenic, he seeks out the help of a literary professor,
wonderfully performed by Dustin Hoffman, who helps him understand he's a
character in a book. But is that book a comedy or a tragedy?
Knowing that will help Harold find out who his author is, played by the
always fantastic Emma Thompson. She, Karen Eiffel, unaware that
Harold is real, is experiencing writer's block and must think of a way
to end her book, which spells the end of Harold Crick.
This is not a laugh out loud comedy, but there
are moments of pure delight in the film, lines of great genius about
books and literature and life. There is really interesting art
direction depicting Harold Crick's obsession with numbers and the feel
of the city was almost futuristic. The set designs were very
organic in that they became characters themselves.
Will Ferrell has pulled off the must-do role
that all comic actors need, playing it serious. He is quiet and
understated and emotional with out hamming it up. His character
falls in love with a baker, Maggie Gyllenhaal. Their scenes played
romantically true, he has one moment where he brings her a gift that
brought tears to my eyes.
The ending is great, unexpected and yet worked
just right for the story. There are 2 characters that show up
through out the movie that can be quite puzzling until the very end. At
the end of the movie, I wanted to run out and buy all of Karen Eiffel's
books. I just knew she would have become one of my favorite
authors.
Author- Irma, posted 11/12/06
"Sweeny Todd, The Demon Barber of Fleet
Street"
This should be sub-titled "There Will
Be Blood". Director Tim Burton executes a wonderful screen version
of the dark musical with rivers of blood as an extra character. But
don't be put off by the excess. It is a terrific film that had me
grinning ear to ear, even as Sweeny Todd sliced his victim's throats
ear to ear.
Johnny Depp as Sweeny Todd and
Helena Bonham Carter as Mrs. Lovett have never been better. They are
simply delicious together with a deeply forged chemistry. The
majority of dialog in the film is done in song and both Mr. Depp and
Ms. Bonham Carter admirably hold their own along with Alan Rickman,
Sacha Baron Cohen, and Timothy Spall. The rest of the cast is
excellent as well, especially Ed Sanders as Toby Ragg.
The production
faithfully recreates a dark, dirty England and Mr. Burton's stylized
direction fits the grim tale of revenge perfectly. Despite themes of
madness, murder and cannibalism, the film is really a lot of fun to
watch. Strip away the violence and it really is a love story that
works on many levels.
"Sweeny Todd" is a musical like no
other and the film version does it's Broadway ancestors proud.
Author- 30 Second Critic, posted 1/1/08
T
"Talk To Me"
Don Cheadle gives a tour de force performance in this "based on a
true story" film. This is the story of Petey Greene Jr, an ex-con who
ends up as a radio DJ for WOL-AM in Washington D.C. in the late '60's.
The film tries hard to cover a capsule view of late '60's America
before and after the death of Dr. Martin Luther King Jr. and for the
most part works well enough to propel the story.
Co-starring Chiwetel Ejiofor (so good in "Dirty Pretty Things")
as Dewy Hughes, "Talk To Me" is a very entertaining film about dark
times in America and the complicated relationship of two men who
desperately need each other. Not only is Mr. Cheadle terrific as Petey
Greene Jr but Mr. Ejiofor matches him scene for scene as the station
employee who "discovers" him and later becomes his manager. The acting
is outstanding and both deserve Oscar Nominations come next year.
Taraji Henson also does a great job as Vernell Watson, Petey's
long time girlfriend, bringing both laughter and pathos to the role.
Rounding out the cast is Cedric The Entertainer and Vondie Curtis Hall
as other DJ's at the station along with Martin Sheen as the station
owner and general manager.
It is pleasure to watch Mr. Cheadle in any of his films. He
continues to astound with his range and chameleon ability to disappear
into roles. And as for Mr. Ejiofor, this film should be springboard
for bigger and better roles.
Author- 30 Second Critic, posted
7/29/07
"Tears of The Black Tiger"
Strictly for film aficionados,
"Tears" is a Thai film that has finally found a U.S. distributor.
Stealing liberally from '60s filmmaking and multiple
genres, "Tears" is part tragic love story, western, gangster film, and
soap opera rolled into one vivid Technicolor visual treat.
The story concerns a young pleasant boy, Dum, who falls in love
with Rumpoey, the daughter of a wealthy family. Of course their love
is forbidden and sets the stage for a melodramatic tragic love story.
Dum grows up to become a bandit known as "The Black Tiger" and Rumpoey
grows up as the daughter of the Governor and fiancé of the local
police captain.
Filmed in a vivid color palette, the film is visually
stunning. Stylistic camera work adds to the fun, including slow motion
shootouts with liberal blood splatter ala Sam Peckinpah. Sergio Leonne
inspired music coupled with a traditional Thai score and songs make
for an eclectic soundtrack.
This is a film, the likes of which, today's American
audiences have never seen. If you are interested in sampling something
truly unique, you can't go wrong with this Thai treat.
Author- 30
second critic, posted 1/17/06
"Tell No One"
Absolutely one of the best films of the year. Run, do
not walk if this film is playing in your area. Based on the American
novel by Harlan Corban, the film version has been made in France but
retains all the twists, turns and suspense of this terrific
thriller.
Eight years after Alex is beaten and his wife murdered
on their country property, two more bodies are discovered. This sets
off a chain of events that lead the police to think Alex may
have murdered his wife and Alex to believe his wife may not really
be dead at all.
The film works on every level. The direction and
editing are superb. The acting is first rate and even the songs and
music add and blend perfectly into the story.
The film is an adult rollercoaster ride that will
have everyone discussing it long after it's over. I'm telling
everyone to see "Tell No One"
Author- 30 second critic, posted 7/13/08
"Time To Leave"
The new film from
French director, Francois Ozon. This is a poignant story dealing with
coming to terms with one's mortality. Romain is a 31 year old famous and
arrogant fashion photographer who learns he has cancer and three months
to live. How he comes to terms with his life and rapidly approaching
death form the basis of the film.
French legend Jeanne Moreau plays
Romain's grandmother in a very tender interlude. This is a beautiful
film, not played for sentimentality but rather for honesty as Romain
confronts the inevitable.
author - 30 Second Critic, posted
6/20/06
"There WIll Be Blood"
No doubt about it, this is a
magnificent performance by Daniel Day-Lewis. The film centers completely
around his character, Daniel Plainview. In fact, Plainview is written as
such a vivid force of nature that everyone else in the film barely exists.
This is the major flaw in a powerful film about the early days of the oil
business.
Paul Dano co-stars as Eli Sunday
and his mysterious brother Paul Sunday (a minor character never quite
fully explained). Eli is the young preacher who is at odds with Plainview
throughout the film. Mr. Dano gives a terrific performance and holds his
own in powerful scenes with Mr. Day-Lewis. However, aside from these two,
every other character in the film is completely underwritten. Dillion
Freasier plays Plainview's young son, HW but even he exists more as a plot
device than a fully realized character.
The cinematography is fantastic,
beautiful and raw. The first 20 minutes of the film are very unique. Kudos
to writer/director Paul Thomas Anderson for such a bold move. Much has
been said about the score. It too, is very unique and some will say
irritating. While there may be some truth to that, it is very deliberate
and fits the film perfectly.
The blood and soul of this film
is Mr. Day-Lewis who breathes life to an unforgettable character. But in
the end, the film is diminished by his overpowering presence, which just
may have been the point.
Author- 30
Second critic, posted 1/13/08
"Traitor"
This suspenseful new film explores what makes a terrorist and
questions loyalty and religion with a conflicted lead character
intelligently played by Don Cheadle.
As the film opens we meet Mr. Cheadle's character, Samir Horn as
he is selling weapons to an unnamed terrorist group. Samir is a Muslim
who's father was killed by a car bomb and his motives may not be all
them seem. Soon he finds himself being pursued by two FBI agents played
by Guy Pierce and Neal McDonough.
The action moves globally and makes for quite the travelogue as
the two agents chase Horn around the world in an attempt to stop further
acts of terrorism. There are some major twists that we've seen before in
other films but they are used very effectively here and the film
ratchets up the suspense as the terrorists plan an attack on US soil.
"Traitor" is an effective thriller heightened by the always
excellent Don Cheadle. It's an intelligent film (despite some plot
holes) with themes that don't always have easy answers but
it's compelling just the same. It did leave me feeling uneasy as it hits
close to home and could give the wrong people real ideas.
"Tropic Thunder"
Ben Stiller sets out to make a satirical
film within a film about Hollywood excess and goes over the top himself.
The film is offensive, gross, loud
and very funny. There are plenty of quotable lines and great sight gags
but in the end, Mr. Stiller and his partners really go to extremes and
the overkill dampens the spirit in which it was made.
The film stars Mr. Stiller, Jack Black,
Robert Downey Jr., Nick Nolte, Steve Coogan and a thinly disguised Tom
Cruise as well as a few memorable cameos. Mr. Downey Jr. ends the summer
as he started it (in Iron Man), on top. His acting is just perfect as he
creates an amazing character in Kirk Lazarus. Tom Cruise is hysterical
as a fat, bald over the top studio executive who's dialog alone warrants
the "R" rating.
The opening moments of fake ads and
trailers are genius. It's a shame that the rest of the film can't
sustain that creative energy. It tries very hard and there are lots of
laughs but in the end, it's one explosion too many.
Author- 30 Second Critic, posted 8/22/08
"Tropic Thunder"
Tropic Thunder is
pretty damn hilarious, mainly due to Robert Downey, Jr. That man
ROCKS! He made Iron Man the greatest super hero movie this year and
last (bah to Batman), he totally stole the show at the Warren Beatty
AFI Tribute (check him out here:
http://www.afi.com/10top10/actordetail.aspx?id=40&thumb=2 ) and
now, he is the reason to see
this uneven, but funny film.
Tropic Thunder stars
Ben Stiller, its creator and producer doing his Dodgeball routine,
Jack Black (this man is a Stooge, I mean it, I just don't get him, but
guys do, he shoulda been one of the 3 Stooges), the fantastic Robert
Downey, Jr., and assorted others, including some pretty decent cameos
(more on Tom Cruise later). It's a making of a movie movie and as
absurd as it gets (and it gets damn absurd, the satire on Hollywood
spiraling into very broad comedy), there are enough laughs here to
make it enjoyable and entertaining. The joke, that these actors are
turned loose in the jungles of Vietnam thinking they are making cinema
vérité about the war, can wear thin in too many
places, but I laughed way more than I thought possible. Every time I
started rolling my eyes, a one-liner or visual had me laughing out
loud. Brandon Jackson plays a rapper, Alpa Chino, who's one on one
dialogue with RDjr. is the "nut" of the film.
The cameos are
boundless.Matthew McConaughey, Steve Coogan (love him!), Nick Nolte
are all great, and then there's the much talked about, Tom Cruise. At
first, very funny, and then as it wears on, tiresome. And the ending
is chock full of cameos.
Definitely get there in
plenty of time to see the commercial for Booty Sweat and the 3
trailers that start this film. Those were side-splitting and
hysterical.
Author- Irma., posted
8/24/08
U
" The U.S. Vs John
Lennon"
This really should be called Richard Nixon
Vs John Lennon as this new documentary so passionately illustrates. This
is a fascinating time capsule of the late sixties and early seventies
centered around Mr. Lennon and how one man can intimidate a government.
Things really start to get interesting
around in the early 70's when Nixon is running for re-election and the
Vietnam war rages on. When Lennon befriends Bobby Seale, Jerry Rubin, and
Abby Hoffman, Nixon's white house targets him and so begins a surreal
"David Vs Goliath" battle that is fought politically and artistically
throughout most of that decade.
Besides archival footage, there are many
new interviews with politicians, radicals, journalists, and of course,
Yoko Ono. The music is great and some of the footage is fascinating but
the film spends to much time setting up it's case, padding it's 99 minutes
with images most of us have seen time and again from that turbulent
period.
If you lived through these times, the
film will evoke strong memories and provoke emotions as obvious parallels
are drawn to today's war in the Mideast. In the end, the message remains
the same...give peace a chance.
Author-
30 second Critic, posted 9/24/06
V
"Valkyrie"
You have to give director Bryan Singer
and screenwriter Christopher McQuarrie a lot of credit. They have
crafted a very suspenseful film even though you already know the
outcome. This is not easy and they really pull it off. You almost expect
a different ending to World War II based on this true story.
Tom Cruise plays Col. Claus Von
Stauffenberg, a German soldier who believes his country but not Adolf
Hitler and along with others plot his assassination. Mr. Cruise
is passably in the role but only because there is not much range to the
part. The film is well stocked with a fine supporting cast including
Kenneth Branagh, Tom Wilkinson, Bill Nighy, and Terrance Stamp. Everyone
plays Germans but speak in their natural English voices. This is an
interesting decision on Mr. Singer's part to not bother with phony
accents but rather start the film in German and blend it into English
almost as if the audience has a Star Trek universal translator.
Everyone acts with with much pomp
and circumstance and Mr. Singer frames the film with a countdown clock
reminding us of the building tension. The taut direction and moody music
all contribute to the mounting suspense of the operation. You almost
expect them to pull it off but of course they don't. Everything leads to
an unsatisfying conclusion but watching the plot unfold and learning the
aftermath still make for a suspense filled thriller.
Author- 30 second critic, posted 01/10/09
"Vicky Christina Barcelona"
A light summer romp from writer/director
Woody Allen. "VCB" is a visual treat both in terms of the scenery and
it's leading actors. The film stars Rebecca Hall, Scarlett Johansson,
Javier Bardem, and Penelope Cruz as friends and lovers all romantically
involved over a summer in Barcelona.
Filming in a new city seems to have
refreshed Mr. Allen and the film succeeds on many levels. The
cinematography paints a lovely picture of Barcelona.The dialog is fresh,
clever and intelligent. The acting is perfect as everyone is very well
cast. Ms. Cruz, in particular, ignites the second half of the film as
Maria Elena, Mr. Bardem's unstable ex-wife. Rebecca Hall is also
terrific as the conflicted, Vicky.
The film is one of Mr. Allen's sexiest,
while still within PG-13 limits. To call it a comedy is a stretch but it
does have some fine comedic moments and is far lighter in tone than "Matchpoint",
one of Mr. Allen's most recent successes.
Author-30 second critic, posted 9/1/08
"The Visitor"
Anchored by a terrific performance by
Richard Jenkins, "The Visitor" is a gem of an Indie film buried among
the arriving Hollywood blockbusters. This is the second film from
writer/director Tom McCarthy, who's previous film, "The Station Agent",
was an Indie hit a few years back.
This is the story of Walter Vale, a
character worn by Mr. Jenkins like a second skin, a college professor
sleepwalking through his life. An unusual encounter with two young
immigrants begins a journey of discovery for Walter, jumpstarting his
life.
"The Visitor" has a lot to say
about second chances, friendship and even Immigration laws but is never
heavy-handed about any of it. The film moves at a leisurely
pace constantly surprising us with little moments of clarity.
Much like "the Station Agent", "The
Visitor" is filled with memorable characters and a story that will
linger with you for days.
author-30 seocnd critic, posted 5/17/08
"Volver"
The sins of the past can come back and heal
rather than harm in the latest film from Pedro Almodovar. It was Almodovar
who first brought our attention to Penelope Cruz. In "Volver", she returns
to her native Spanish, where her work is far better than her English
speaking roles. Here, working again with Almodovar, Cruz shines as the
centerpiece of this intimate family drama.
Cruz plays mother, daughter, and sister in a family of women scarred by
events of the past. When tragedy strikes again, it is up to Cruz to hold
everything together and when a major revelation occurs, it appears to
further complicate things. Almodovar is a master when it comes to writing
for, and directing women. Everyone in the film is wonderful and there are
many moments of quiet beauty and surprise.
"Volver" is possibly Almodovar's most commercial film yet even as he
expands on themes he has covered in some of his more outrageous films. He
has a remarkable touch for creating light and poetry out of dark subject
matter.
Author- 30 Second Critic,
posted 12/1/06
W
"W."
Oliver Stone has done a remarkable job documenting past Presidents. In
"W.", he chronicles the life of a president while still in office and
misses the mark of his earlier films.
W. is interesting enough, giving the viewer insight into what makes
Mr. Bush tick and showing us the uneven road his life has taken to the
White House but it is little more than a TV movie of the week missing much
of the bombastic style Mr. Stone is best known for.
The cast is uneven. Josh Brolin as "W." is wonderful. He captures
every nuance, every gesture, of Mr. Bush perfectly and at times
truly resembles him. Richard Dreyfuss is a perfect Dick Cheney, also
getting the mannerisms correct. Also well cast are James Cromwell as
George Bush SR., Ellen Burstyn as Barbara Bush, Scott Glen as Donald
Rumsfeld, and Elizabeth Banks as Laura Bush. Missing the mark are Jeffrey
Wright as Colin Powell and Thandie Newton as Condoleezza Rice.
The script cherry picks important moments in Mr. Bush's life (did we
need the pretzel choking scene?) and range from satire to drama with a
little "fairy tale" thrown in for good measure.
Once Mr. Bush leaves office, I'd like to see Mr. Stone try it again
and not hold anything back.
Author- 30 second critic, posted 11/26/08
"The Wackness"
An Indie favorite from this year's
Sundance Festival, "The Wackness" is a snapshot of NYC during the summer
of 1994, seen through the eyes of Luke, a teenage drug dealer just trying
to get by.
Luke is a white middle class 18 year old
trying to find himself in the short time between high school and college.
He deals pot for a living and looks for meaning through visits with his
shrink, played by Ben Kingsley. Framed by a great rap soundtrack, we
follow Luke, played by Josh Peck (all grown up now) through his life
pursuing the girl of his dreams, Stephanie, played by Olivia Thirlby.
Mr. Kingsley has lots of fun with the
role of Dr. Squires, a shrink who is in dire need of his own analysis,
taking pot as payment from Luke's sessions. The film soon turns into a
twisted kind of buddy comedy between the two and there are some very funny
moments.
This is a fond remembrance to New York
when it was both "dope" and "wack" and a
heartfelt glimpse of a young man finding
himself.
Author-30 second critic, posted 7/4/08
"Wall-E"
The latest from Pixar – wow – what an amazing accomplishment for both
storytelling and animation. The film tells the story set 700 years in the
future about a desolated Earth that has only two inhabitants, a waste
compacting robot and his friend, a roach. There are barely any words the
first 30 minutes. Then a spaceship lands and a new robot is deposited
whose mission is to find plant life. WALL-E (waste allocation load
lifter, earth class), falls in love with the new robot, EVE, and our
adventure begins.
There are certain scenes that do not look computerized or animated at
all. It’s both sweet and sad and humorous and lovely and wonderous with
a very cautionary tale interspersed. I’m not sure how well small kids
will respond, the ones around us seemed to be interested enough not to
fidget, but this seems made more for adults and older kids. The short
shown before, Presto, is hilarious, definitely in the Pixar
tradition. If you can find a digital screen near you, see it on that –
its marvelous!
Author- Irma, posted 6/29/08
"Wall-E"
I must admit I had reservations about
seeing this and wrote it off as another cute summer kids flick that
didn't deserve my time. After reading all the positive reviews, I changed
my mind and I'm certainly glad I did.
This film is simply brilliant. The
animation is superb. There are times it doesn't even seem animated,
especially in the early sequences on a desolate earth thousands of years
in the future. The plot starts as a simple boy meets girl story
(substitute robots) but soon you come to realize there is a much larger
message here.
It is a story that is heartfelt and
tender yet filled with gentle laughs and surprising action. What the film
has to say about consumerism and ecology is deliberately scary and will
go over the heads of small kids. In fact, "Wall-E" really shouldn't be
seen by anyone under 10 years old.
"Wall-E" doesn't pander to it's
audience and is filled with many stunning sequences. It is a film that
adults can appreciate even without bringing the kids.
Author- 30 second critic, posted 7/6/08
"Wendy & Lucy"
Co-written and directed by Kelly Reichardt, "Wendy & Lucy" is a simple,
yet poignant story of hardship in America today. Michelle Williams stars
as Wendy, a young woman down on her luck, traveling through the Pacific
Northwest with her dog Lucy.
The film pulls no punches and plays
more like a documentary than a drama. Wendy becomes stranded in a small
town and her economic situation has huge ramifications for both her and
Lucy. At times, dire and hard to watch, there are moments of tenderness
and what passes as friendship to give one hope and restore faith in
humanity.
Ms. Williams does a remarkable job
as Wendy. Everything about her performance is real and very raw. It is an
Oscar worthy performance, unfortunately just overshadowed by Melissa Leo
in "Frozen River". The two women, respectively, share performances of such
depth and realism, it must have been a hard choice for Academy voters to
award that last nomination.
Ms. Reichardt provides no easy
answers but such is life in this sad and moving story.
Author- 30 second critic, posted 2/7/09
"The Wrestler"
From Darren Aronofsky, the man who bought us "PI", "Requiem For
A Dream" and the metaphysical mess, "The Fountain" comes a raw and
powerful new film, "The Wrestler". This is not a "Rocky" or "Raging
Bull" saga, but rather an intimate portrait of man 20 years past his
prime trying to find his place in the world.
Mickey Rourke...that's right, Mickey Rourke, gives the
performance of a lifetime as Randy "The Ram" Robinson, past his glory
days and looking for worth beyond the ring. Mr. Rourke bares his soul
and gives everything he has to this character. It is an Oscar caliber
performance that will not be forgotten.
Co-starring is Marisa Tomei as a world weary stripper
connecting, against her better judgment, with "The Ram". Evan Rachel
Wood also stars as the daughter long ago left behind, angry and bitter
when Mr. Rourke shows up at her door. They only have a few scenes
together but they are filled with emotion as father and daughter try to
reconnect.
Mr. Aronofsky films with camera work that puts you in the
story, capturing every detail and bringing stinging reality to every
scene. This is an honest, sometimes violent, and yet poignant film that
will thoroughly surprise you.
Author- 30 second critic, posted 10/13/08
Y
"Year of The Dog"
From the mind of Mike White, who has
given us "Chuck & Buck" and "The Good Girl" comes this very quirky
comedy/drama about how just far our love for animals can take us.
Molly Shannon stars as Peggy, a woman
crazy about her beagle "Pencil". When Pencil accidentally dies, Peggy's
world crumbles until she meets Newt (a very good Peter Sarsgaard),
a animal shelter worker and dog trainer. Newt introduces her to
"Valentine", a German Shepherd with some behavior issues. Peggy adopts him
and begins to spend more and more time with Newt as well. Animals take
center stage in their relationship and Peggy's passion begins to overwhelm
all aspects of her life.
The film also stars John C.
Reilly as Peggy's neighbor, Laura Dern as her sister-in-law, and Regina
King as her boy crazy girlfriend. Peggy's obsession with dogs leads to
various odd scenes with all these characters as well as her boss, played
by Josh Pais.
The dogs in the film are terrific
and adorable. The story starts out light and fun but takes a more dramatic
turn as the film goes on. Ultimately, it tells us that our happiness in
life can sometimes be found in very unlikely places but we go where our
heart takes us.
Author-30 Second Critic, posted 5/13/07
"You Don't Mess With The Zohan"
I was sucker punched by a pretty
funny trailer. There's no need to mess with The Zohan as it's already a
mess. By far the crudest and most pointless Adam Sandler comedy yet. I
wish I could say the film has some potential but, from the start, it's
horrible and goes downhill from there.
The film is jammed with star
cameos that are completely wasted, except a pretty funny line from Mariah
Carey. The point of the film, can't we all just get along, is buried in
bad taste Arab and Israeli jokes. Countless penis and crotch jokes, sex
with senior citizens, the abuse of an cat (thankfully an obvious fake) and
Lannie Kazan's bare rear-end will have you running from the theater.
Personally I never walk out on a
film. I'd hate for someone to tell me the last ten minutes were pure
genius. No worries here. Save your money and don't even walk in.
Author- 30 secondcritic, posted 6/8/08
"You Kill Me"
Looking for something different? How about
a dark comedy concerning itself with an alcoholic hitman in Buffalo NY?
Ben Kingsley stars as Frank, a hitman for the Polish mob in Buffalo who's
drinking is interfering with his work. When he screws up on an important
hit, he's sent to San Francisco to clean up his act.
The film co-stars Tea Leoni, Luke Wilson,
Bill Pullman, Dennis Farina and Phillip Baker Hall. It's a great cast in a
twisted tale directed by John Dahl. Much of the story involves Frank's
attempts at getting sober with the help of Tom (Mr. Wilson) and Laurel
(Ms. Leoni). It's an unusual script but it works on multiple levels. We
are in on the joke and laugh at the situation, rather than at the expense
of Frank's drinking problem. Sir Kingsley is a treat here, playing
a sympathetic man with an addiction and a very bad job. The rest of the
cast are very good in their respective roles, especially Leoni as Frank's
love interest.
"You Kill Me" is a good alternative from
the overload of sequels and kid friendly fare at the movies these days. If
you're a fan of Gross Point Blank, you'll enjoy this one.
Author, 30 second critic, posted 7/4/07
Z
"Zack & Miri Make A Porno"
Writer/Director Kevin Smith returns with a new comedy, that true to
his nature will offend many and have others singing his praises.
"Borrowing" Seth Rogan from his recent run of comedy hits, Mr. Smith has
made a romantic comedy filled with the most vulgar language you can
imagine.
Mr. Rogan stars as Zack and Elizabeth Banks is Miri, friends who
find themselves beyond broke and looking for a way to pay the bills. Craig
Robinson, from "The Office" is Delaney, Zack's friend who finances their
attempt at a porno film.
Mr. Smith hides a sweet romance under mountains of offensive
(to some) dialog, giving Mr. Robinson the best lines. He manages to also
save some good stuff for Kevin Smith regulars, Jeff Anderson and Jason
Mewes. Actually, Mr. Anderson probably has the funniest line in the movie
following a particularly graphic scene.
Mr. Rogan and Ms. Banks have natural chemistry and their
"porno" scene is at first very funny and then turns into something
unexpected. This is a fun, silly film that is not about porno (although
casting Traci Lords does add credibility) but rather friendship and true
love. If not for his trademark dialog and sight gags, you would think
Kevin Smith has gone mainstream. If you enjoy the film, make sure you stay
through the credits.
Author- 30 second critic, posted 10/31/08
"Zodiac"
Immaculately detailed with fine acting,
"Zodiac" tells the true story of the serial killer that plagued the San
Francisco Bay area for almost 20 years. Director David Fincher gets
everything right. The costumes, sets, props and music all faithfully
recreate the period of time from 1968 through the nineties.
San Francisco Chronicle cartoonist Robert
Graysmith, played by Jake Gyllenhaal, along with crime reporter Paul Avery
(Robert Downey Jr.) and detective Dave Toschi (Mark Ruffalo) all become
increasingly obsessed with the case and Graysmith eventually writes a book
about it which formed the screenplay for the film.
The quality of film making here is
impeccable but in order to get every detail right, the film clocks in at
about 2 hours and 40 minutes. In some instances, the days and years pass
quickly, propelling the story forward without missing any of the necessary
details but the length of the film, filled with a great deal of dialogue,
can be draining on the viewer.
While a story about a serial killer,
"Zodiac" is not your typical "slasher" film. There are some violent scenes
recreating the murders but the film can best be described as the finest
investigative journalism movie since "All The President's Men".
Author- 30 Second Critic, posted 3/11/07
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